“I have something to say to you,” said Daniel, as he entered the room. His eyes gazed on the walls and at the few cheap, ugly, banal objects that hung on them: a newspaper-holder with embroidered ribbons; a corner table on which stood a beer mug representing the fat body of a monk; an old chromic print showing a volunteer taking leave of his big family as he starts for the front. These things appealed to Daniel somewhat as an irrational dream. Then, taking a deep breath, he fixed his eyes on Jason Philip. In his mind’s eye he looked back over many years; he saw himself standing at the fountain in Eschenbach. Round about him glistened the stones and cross beams of the houses. Jason Philip was hurrying by at a timid distance. There was bitterness in his face: he seemed to be fleeing from the world, the sun, men, and music.
“I have something to say to you,” he repeated.
Theresa felt that the worst of her forebodings were about to be fulfilled. With trembling knees she arose. She did not dare turn her eyes toward the place in the room where Daniel was standing. She did not see, she merely sensed Jason Philip as he beckoned to her and his sons to leave the room. She took Markus by the hand and Willibald by the coat-sleeve, and marched out between the two.
“What’s the news?” asked Jason Philip, as he crossed his arms and looked at the pile of beans on the table. “You have a—what shall I say?—a very impulsive way about you. It is a way that reminds me of the fact that we have a law in this country against disturbing the peace of a private family. Your stocks must have gone to the very top of the market recently. Well, tell me, what do you want?”
He cleared his throat, and beat a tattoo on the elbows of his crossed arms with his fingers.
Daniel felt that his peace was leaving him; his own arm seemed to him like a shot-gun; it itched. But thus far he could not say a thing. The question he had in mind to put to Jason Philip was of such tremendous import that he could not suppress his fear that he might make a mistake or become too hasty.
“Where is the money my father gave you?” came the words at last, rolling from his lips in a tone of muffled sullenness.
The colour left Jason Philip’s face; his arms fell down by his side.
“The money? Where it’s gone to? That your father—?” He stuttered in confusion. He wanted to gain time; he wanted to think over very carefully what he should say and what he could conceal. He cast one glance at Daniel, and saw that it was not possible to expect mercy from him. He was afraid of Daniel’s bold, lean, sinewy face.
He nearly burst with anger at the thought that this young man, for whom he, Jason Philip, was once the highest authority, should have the unmitigated audacity to call him to account. In this whole situation he pictured himself as the immaculate man of honour that he wished he was and thought he was in the eyes of his fellow citizens. At the same time he was nearly stifled with fear lest he lose the money which he had long since accustomed himself to regard as his own, with which he had worked and speculated, and which by this time was as much a part of his very being as his own house, his business, his projects. He buried his hands in his pockets and snorted. His cowardly dread of the consequences of fraud forced him into a half confession of fraud, but in his words lay the feverish pettifogging of the frenzied financier who fights for Mammon even unto raging and despair.