Is that not Theresa Schimmelweis creeping around the corner? How old, decrepit, and bent with years! Her hair is stone grey, her face is like lime. She is poorly dressed; she does not notice the people she meets. She sees nothing but the full baskets of fruit; for them she has a greedy eye. And she looks at Daniel behind the iron fence with an expression of painful astonishment.
And is that not Frau Hadebusch hobbling along over there! Though her face is that of a crafty criminal, in her eyes there is a panicky, terrified look. She has no support other than the ground beneath her feet; she is a poor, lost soul.
There comes Alfons Diruf, who retired years ago. He has become stout and gloomy. He is out for his morning walk along the city moat. There goes the actor, Edmund Hahn, seeking whom he may devour. Disease and lust are writ large across his jaded face. There is the sculptor, Schwalbe. He is secretly buying a few apples to take home to roast, for otherwise he has nothing warm to eat. And there is Herr Carovius, ambling along. He looks like a wandering spirit, dejected and exhausted.
Beggars pass by, and so do the rich. There are respected people who are greeted by those who see them; there are outcasts who are shunned. There are those who are happy and those who are weighed down with grief. Some hasten and some hesitate. Some seem to hold fast to their lives as a lover might hold fast to his fiancée; others will die that same day. One has a child by the hand, another a woman by the arm. Some drag crimes in their hearts, others walk upright, free, happy to face the world. One is being summoned to court as a witness, the other is on his way to the doctor. One is fleeing from domestic discord, another is rejoicing over some great good fortune. There is the man who has lost his purse and the man who is reading a serious letter. One is on his way to church to pray, another to the café to drown his sorrows. One is radiant with joy over the business outlook, another is crushed with poverty. A beautiful girl has on her best dress; a cripple lies in the gateway. There is a boy who sings a song, and a matron whose eyes are red with weeping. The baker carries his bread by, the cobbler his boots. Soldiers are going to the barracks, workmen are returning from the factory.
Daniel feels that none of them are strangers to him. He sees himself in each of them. He is nearer to them while standing on his elevated position behind the iron railing than he was when he walked by them on the street. The jet of water that spurts from him is like fate: it flows and collects in the basin. Eternal wisdom, he feels, is streaming up to him from the fountain below; each hour becomes a century. However men may be constituted, he is seized with a supernatural feeling when he looks into their eyes. In all of their eyes there is the same fire, the same anxiety and the same prayer; the same loneliness, the same life, the same death. In all of them he sees the soul of God.
He himself no longer feels his loneliness; he feels that he has been distributed among men. His hate has gone, dispelled like so much smoke. The tones he hears now come rushing up from the great fountain; and this fountain is fed from the blood of all those he sees on the market place. Water is something different now: “It washes clean man’s very soul, and makes it like an angel, whole.”
Noon came, and then evening: a day of creation. And when evening came, a mist settled over the city, and Daniel came down from his high place at the fountain, set the geese carefully to one side, and went home. He arrived at the vestibule; he stood in the door of the room looking out on the court. His eyes beheld a wonderful sight.
The Goose Man was sitting playing with Agnes and little Gottfried. He had cut silhouettes from bright coloured paper and made them stand up on the table by bending back the edge of the paper. There he sat, pushing these figures into each other, and making such droll remarks that Agnes, who had never in her life really laughed, laughed now with all her heart, and like the child that she in truth still was.
Little Gottfried could only prattle and clap his hands. The Goose Man had placed him on the table. Whenever he made a false or awkward move, the Goose Man would set him right. He seemed to be especially skilled at handling and amusing children.