Eleanore laid the cloak to one side, and slipped in under the covers. The two girls cuddled up to each other, and in a few minutes both were sound asleep.
VOICES FROM WITHOUT AND VOICES FROM WITHIN
I
Daniel gradually gained followers. Those whom the “little slave” won over to his cause were hardly to be called patrons: they were patriots. They were delighted at the thought that a maestro should have been born and risen to fame in soulful old Franconia. In the actual life of their protégé they took but little interest.
Daniel’s followers were young people.
Professor Herold was a strange man. His reputation reached far beyond the boundaries of his native province, and yet, owing to his whimsical peculiarities, he had not the slightest desire to leave home. On such sons and daughters of the natives as were diligent in their pursuit of musical studies, he poured out the whole of his sarcasm. His chief, his darling ambition was to wean them away from their fondness for worthless music and clap-trap performances of it. He did not succeed: you were not considered educated unless you could play the piano, and in the homes of these merchants education was highly regarded.
Enticed by his name, all kinds of people came from a distance to take lessons from Professor Herold. Having read the score of “Vineta,” he said to two of these: “Fetch me that fellow dead or alive.” And they fetched him.
The two came more frequently to Daniel, and then others, pupils of Professors Wackerbarth and Döderlein. At times he would take luncheon with them in the students’ restaurant. We will call them the long-haired, or the pale-faced. Many of them looked like snake-charmers. They were almost without exception hopelessly stupid, but they all had some kind of a bee in their bonnet.
There were some young girls among them; we will call them the dreamy-eyed, or the lost-in-dreams. Daniel had no use for them whatsoever. His patience with the long-haired was equally lacking.
He told “the old man,” as Professor Herold was called, of his antipathy to these students. Professor Herold snapped like a vicious dog, brushed the white bristles back over his enormous head, and said: “Well, my young original, you have made a discovery. Don’t you know that music cajoles into its magic circle the very riff-raff of any community? Don’t you know that music is a subterfuge for the neglect of human duty? Don’t you know that the voluptuous fumes it spreads over the cities results in the general corrosion and consumption of men’s hearts? Don’t you know that of every five hundred so-called artists, four hundred and ninety-nine are nothing but the cripple guard of God above? Therefore he who does not come to music with the holiest fire burning in the depths of his soul has his blood in time transformed by it into glue, his mind into a heap of rubbish.”