He saw the paintless stairs that led to the den where he had been and the red carpet of the inn soiled by many feet; he saw the lamp in the desolate street and the watch charms on the proprietor’s waistcoat; he saw the brandy bottle on the shelf, and the green shawl of one of the drunken women, and the tattooed symbols on the sailor’s naked arm: the anchor, the winged wheel, the phallus, the fish, the snake; he saw the rubber cherries on the prostitute’s hat and the silver brooch with the garnets and the foolish motto: Ricordo di Venezia.
And more and more as he thought of these things they awakened in him an ever surer feeling of freedom and of liberation, and seemed to release him from other things that he had hitherto loved, the rare and precious things that he had loved so exclusively and fruitlessly. And they seemed to release him likewise from men and women whose friendship or love had been sterile in the end.
As he lay there and gazed into space, he lived in these poor and mean things, and all fruitless occupations and human relationships lost their importance; and even the thought of Eva ceased to torment him and betray him into fruitless humiliation.
That radiant and regal creature allured him no more, when he thought of the blood-stained face of the harlot. For the latter aroused in him a feeling akin to curiosity that gradually filled his soul so entirely that it left room for nothing else.
Toward dawn he slumbered for an hour. Then he arose, and bathed his face in cold water, left the hotel, hired a cab, and drove to the inn called “The King of Greece.”
The nightwatchman was still at his post. He recognized this early guest and guided him with disagreeable eagerness up two flights of stairs to the room of Karen Engelschall.
Christian knocked. There was no answer. “You just go in, sir,” said the porter. “There ain’t no key and the latch don’t work. All kinds of things will happen, and it’s better for us to have the doors unlocked.”
Christian entered. It was a room with ugly brown furnishings, a dark-red plush sofa, a round mirror with a crack across its middle, an electric bulb at the end of a naked wire, and a chromo-lithograph of the emperor. Everything was dusty, worn, shabby, used-up, poor and mean.
Karen Engelschall lay in the bed asleep. She was on her back, and her dishevelled hair looked like a bundle of straw; her face was pale and a little puffy. Recent scars showed on her forehead and right cheek. Her full but flaccid breasts protruded above the coverings.
His old and violent dislike of sleeping people stirred in Christian, but he mastered it and regarded her face. He wondered from what social class she had come, whether she was a sailor’s or a fisherman’s daughter, a girl of the lower middle-classes, of the proletariat or the peasantry. Thus his curiosity employed his mind for a while until he became fully aware of the indescribable perturbation of that face. It was as void of evil as of good; but as it lay there it seemed distraught by the unheard of torment of its dreams. Then Christian thought of the carnelian on Mesecke’s hand, and the repulsively red stone which was like a beetle or a piece of raw flesh became extraordinarily vivid to him.