A dangerous illness and a permanent crippling of his legs were the result of this violent adventure. Susan nursed him and never left him for an hour. She had always admired and loved him. Now she worshipped him. He had already earned a little fortune, and an inheritance from his mother’s side increased it, so he was enabled to live independently.
A new man developed in him. His deformity gave to his mind the resilience and power that had been his body’s. In a curious way he penetrated all the regions of modern life; and above pain, disappointment, and renunciation, he built a road from the senses to the mind. In his transformation from a dancer to a cripple he divined a deep significance. He now sought an idea and a law; and the harsh contrast between external calm and inner motion, of inner calm and outward restlessness, seemed to him important in any interpretation of mankind and of his age.
At twenty-two he set himself to study Latin, Greek, and Sanskrit. He became a thorough student, and took courses at the German universities. And this strange student, who dragged himself along on crutches, was often an object of curiosity. At the age of thirty he travelled with Susan to India, and lived for four years at Delhi and Benares. He associated with learned Brahmins and received their mystic teachings. Once he had sight of an almost legendary Thibetan priest, who had lived in a cave of the mountains for eighty years, and whom the eternal darkness had blinded, but whom the eternal loneliness had made a saint. The sight of the centenarian moved him, for the first time in his life, to tears. He now understood saintliness and believed in it. And this saint danced: he danced at dawn, turning his blinded eyes to the sun.
He saw the religious festivals in the temple cities on the Ganges, and felt the nothingness of life and the indifference of death when he saw those who had died of pestilence float by hundreds down the stream. He had himself carried into primeval forests and jungles, and saw everywhere in the inextricable coil of life and death each taking the other’s form and impulse—decay becoming birth and putrefaction giving life. He was told of the marble-built city of a certain king, in which dwelled only dancing girls taught by priests. When their flesh faded and their limbs lost their agility, they were slain. They had vowed chastity, and none was permitted to survive the breaking of that vow. He approached the fabled city but could not gain admission. At night he saw the fires on its roofs, and heard the songs of its virginal dancers. Now and then it seemed to him that he heard a cry of death.
This night, with its fires and songs, its unseen dancers and uncertain cries, stored up new energies within his soul.
X
He took Eva with him to Toledo. He had rented a house there in which, men said, the painter El Greco had once dwelled.
The building was a grey cube, rather desolate within. Cats shared the dwelling, and owls, bats, and mice.
Several rooms were filled with books, and these books became Eva’s silent friends in the years that came now, and during which she saw almost no one but Rappard and Susan.