He and Crammon went hunting or took trips to the neighbouring cities. Nothing held Christian anywhere. He wanted always to go farther or elsewhere. His very eyes became restless. When they walked through the streets, he glanced surreptitiously into the windows of apartments and into the halls of houses.
One night they sat in a wine cellar at Mainz, drinking a vintage that was thirty years old and had a rare bouquet. Crammon, who was a connoisseur through and through, kept filling his glass with an enchanted air. “It’s sublime,” he said, and began eating his caviare sandwich, “simply sublime. These are the realities of life. Here are my altars, my books of devotion, my relics, the scenes of my silent prayers. The immortal soul is at rest, and the lofty and unapproachable lies in the dust behind me.”
“Talk like a decent man,” said Christian.
But Crammon, who felt the ecstasy of wine, was not to be deflected. “I have drunk the draught of earthly delight. I have done it, O friend and brother, in huts and palaces, North and South, on sea and land. Only the final fulfilment was denied me. O Ariel, why did you cast me forth?”
He sighed, and drew from his inner pocket a tiny album in a precious binding. He always had it with him, for it contained twelve exquisite photographs of the dancer, Eva Sorel. “She is like a boy,” he said, wholly absorbed in the pictures, “a slender, swift, unapproachable boy. She stands on the mystic boundary line of the sexes; she is that equivocal and twofold thing that maddens men if they but think of flesh and blood. Elusive she is as a lizard, and chill in love as an Amazon. Do you not feel a touch of horror, Christian? Does not a cold ichor trickle through your veins, when you imagine her in your arms, breast to breast? I feel that horror! For there would be something of the perverse in it—something of an unnatural violation. He who has touched her lips is lost. We saw that for ourselves.”
Christian suddenly felt a yearning to be alone in a forest, in a dark and silent forest. He did feel a sense of horror, but in a way utterly alien to Crammon’s thought. He looked at the older man, and it was hard for him to comprehend that there, opposite him, sat his familiar friend, whose face and form he had seen a thousand times unreflectively.
Crammon, contemplating the photograph on which Eva appeared dancing with a basket of grapes, began again: “Sweetest Ariel, they are all harlots, all, all, all, whether shameless and wild or fearful and secretive: you alone are pure—a vestal, a half-ghost, a weaver of silk, like the spider, who conquers the air upon her half-spun web. Let us drink, O friend! We are made of dirt, and must be medicined by fire!”
He drained his glass, rested his head upon his hand, and sank into melancholy contemplation.
Suddenly Christian said: “Bernard, I believe that we must part.”
Crammon stared at him, as though he had not heard right.