Orion Latham, tumbling over the forward rail from a waterside dinghy, whispered hoarsely in Johnny Lark's ear:

"What do you know about that? There they are, billin' and cooin', just where we left 'em when we went ashore. Wouldn't it sicken you?"

But Johnny only grinned and chuckled, shaking the tiny gold rings in his ears till they sparkled in the faint light. He had a girl himself in Portygee Town, at Big Wreck Cove.

The creaking of the hawsers and the "heave hos" of the crew as they warped the Seamew in to the wharf awoke the girl passenger in the cabin. There was little fancy about the schooner's after house, but it was comfortable.

There was a tarry smell about the place that rather pleased the girl. The lamp over the round table vibrated in its gimbals, but did not swing. There were several prints upon the walls of the cabin, prints which showed the rather exceptional taste of the Seamew's master, for they had been tacked up since she had come into Tunis Latham's possession.

There was, too, a somewhat faded photograph on a background of purple velvet, boxed in with glass, screwed to the forward stanchion. It was the photograph of an overhealthy-looking young woman, with scallops of hair pasted to her forehead undoubtedly with quince-seed pomatum, her basque wrinkled across her bust because of the high-shouldered cut of it. But it had been in the extreme mode when it was made and worn, in the eighties.

The brooch which fastened the lace collar had been painted yellow by the "artist photographer" of that day, and even the earrings she wore had been touched up, or perhaps painted on with the air brush.

This was Tunis Latham's mother, the girl who had seemed so promising an addition to the family in the opinion of Medway Latham, the builder of "Latham's Folly." The rather blowzy prettiness of Captain Randall Latham's young wife had been translated into real beauty in her son; for Tunis had got his physique and open, bold physiognomy from his mother.

The girl lying in an upper berth, a close cap tied over her neatly braided hair, parted the cretonne curtains to look at these ornaments hung about the cabin. She realized that the photograph, so strangely contrasting with the prints of some of the world's masterpieces, was a sort of shrine to Tunis Latham. He revered the mother whom he had told the girl he could not remember of ever having seen. His love and admiration for that unknown mother had helped make the captain of the Seamew what he was.

He was a good man, a safe man for any girl to trust. And yet he was lending himself to a species of masquerade which, if ever it became known, would bring upon his head both derision and scorn. He risked this contumely cheerfully and with a reckless disregard for what might arise through the plans they had made while sitting beside each other on that bench on Boston Common.