From Headquarters: Odd Tales Picked up in the Volunteer Service

by James A. Frye

A few paces from the end of the cul-de-sac formed by the halting street and the obstructing wall, and facing a lamp-post which awkwardly rears itself up from the curbstone to present for inspection a glass panel lettered "Battery Court," there is—in one of the long row of houses—an opening which looks like the entrance to a tunnel.

In point of fact, it is the entrance to a tunnel, for, in order to reach the court which lies hidden beyond, one has to grope through fifty feet of brick-bound darkness. And even when that venture has been made, the change from shade to light is not a startling one, for the court is small and entirely surrounded by lofty buildings, so that one standing in it and looking up at the patch of blue sky overhead feels much as if he had landed at the bottom of a well, and instinctively glances about in search of a rope by which to climb up and out again.

It is an odd corner—and oddly utilized. All around it stretch streets of dwellings, but in this silent and dim court the few structures are plainly and solidly built, and heavily shuttered with iron, for they all are devoted to storage. It was the lack of breathing space, I dare say, and the close proximity of the railway that made this nook undesirable for any other purpose; and in all probability "Battery Court" would be unknown to-day if we had not happened to stumble upon it in our search for a place where we could pitch our tent, without being forced to pitch after it a king's ransom in the shape of rent.

Facing the dark passageway which offers the only avenue for escape to the street beyond, and entirely filling one end of the court, there looms up a five-storied warehouse. For four stories it bears a perfect family resemblance to its companions on either hand, and up to that height its dull, red bricks and rusty, red iron entitle it to no distinction whatever. But the fifth story is altogether another story, and though from an architect's point of view it might seem wofully incongruous, yet to our eyes it is supremely satisfying—for we did it.

Yes, the fifth story of that old warehouse asserts itself like a diamond pin in a soiled and rumpled scarf, for the mansard roof with its galvanized-iron trimmings, which once made it appear no more respectable than it ought to be, has given place to a long, well-glazed, dormer window, finished on the outside with heavy timbering and rough plaster work, and fitted with swinging sashes through whose many panes the southern sun may shine without let or hinderance, save when, in summer months, a wide, striped awning parries the hottest rays. In every sense of the word it is a great window, and—as I and many another officer of the Third can testify—the comfortable, cushioned seat which runs its entire length has many attractions for a lazy, tobacco-loving man. Above the window, and crowning glory of all, a straight and slender spar points skyward, from which, on sunny days, floats a great, white flag, bearing in mid-field the blue Maltese cross, on which the figure "3" is displayed: for the present Third is the successor of a "fighting regiment," and we proudly preserve the old corps' device and the traditions that go with it.

So much for the outside of our nightly gathering-place.

Within-doors the effect is even more surprising, for the four long and dusty flights of dimly-lighted stairs give no hint of the cheery quarters up to which they lead the way. Once they had their termination in a loft—a bare, rough, unfinished loft; but we have changed all that, and now it would be hard to find at any club in town a cosier spot. Thirty feet from side to side the great room stretches, and twice that from front to rear; ample room, yet none too much for our needs, for our friends are many, and the times are not infrequent when we find even these quarters crowded. At the southern end, almost from wall to wall, extends the long window, with its softly cushioned seat—a vantage point that never lacks for tenants. Midway of one side wall the great fireplace yawns, waiting for the sharp, cold nights when the load of logs upon its iron fire-dogs shall be called upon to send the smoke wreathing and curling up the chimney's broad and blackened throat.

Above the wide mantel-shelf are crossed two faded colors, hanging motionless from their staves, save when some stray current of air idly stirs their tarnished, golden fringes: "Old Glory," with its stripes and star-sown field, is one; the other, the white banner of the Commonwealth, beneath whose crest the ever-watchful Indian stands guard. In a long, glittering row, below the mantel, hang the polished pewter mugs, swinging expectantly, each upon its hook, and seeming to say—as they flash back the sunbeams, or reflect the light of the fire below—"Come, fill us, empty us: and have done with the worries of the day!"

Furniture? Yes, there's a plenty. Fronting the hospitable fireplace a long, oaken table stands sturdily upon its solid legs, as indeed it must—for often and often, when the fire is crackling, it has to bear a load of lazy soldiers, who delight to roost along its edge and match the logs in smoking: chairs enough there are to be sure, but somehow there comes a greater sense of comfort and ease to one who perches on a table's edge. Beneath a trophy of Arab swords and spears stands the bookcase, on whose shelves the literature ranges from Tibdall, Upton, and the long and ever-lengthening series of solemn black "Reports," to the crazy yarns of Lever, and the books whose backs bear the names of Captain King and Kipling. In one corner the upright piano, in its ebony case, has its station—and here our lieutenant-colonel holds command undisputed, for his touch upon the ivory keys can make the rafters ring with the airs that we all know and like the best; not far away, a pillowed lounge stands waiting for an occupant; and all about are scattered small tables, ready for the whist players. A few rugs and half a dozen deer-skins litter the floor; while here and there, along the walls, are fixed the heads and horns of elk and mountain sheep—for there are two among us who spend their leaves each year far in the West, amid the big game. Everywhere there are pictures: engravings, etchings, colored prints, and, last and most of all, photographs by the dozen, and almost by the hundred—for we of the Third always have borne a reputation for unflinchingly facing the camera.