Essays in Literature and History

by James Anthony Froude

And they may have been absurd and extravagant; when the feeling is stronger than the judgment, men are very apt to be so. If, in the recoil from Manicheism, they conceived that a body of a saint thus purified had contracted supernatural virtue and could work miracles, they had not sufficiently attended to the facts, and so far are not unexceptionable witnesses to them. Nevertheless they did their work, and in virtue of it we are raised to a higher stage, we are lifted forward a mighty step which we can never again retrace. Personal purity is not the whole for which we have to care, it is but one feature in the ideal character of man. The monks may have thought it was all, or more nearly all than it is; and therefore their lives may seem to us poor, mean, and emasculate. Yet it is with life as it is with science; generations of men have given themselves exclusively to single branches, which, when mastered, form but a little section in a cosmic philosophy; and in life, so slow is progress, it may take a thousand years to make good a single step. Weary and tedious enough it seems when we cease to speak in large language, and remember the numbers of individual souls who have been at work at it; but who knows whereabouts we are in the duration of the race? Are we crawling out of the cradle, or are we tottering into the gave? In nursery, in schoolroom, or in opening manhood? Who knows? It is enough for us to be sure of our steps when we have taken them, and thankfully to accept what has been done for us. Henceforth it is impossible for us to give our unmixed admiration to any character which moral shadows overhang. Henceforth we require not greatness only, but goodness; and not that goodness only which begins and ends in conduct correctly regulated, but that love of goodness, that keen pure feeling for it, which resides in a conscience as sensitive and susceptible as woman's modesty.

So much for what seems to us the philosophy of this matter. If we are right, it is no more than a first furrow in the crust of a soil, which hitherto the historians have been contented to leave in its barrenness. If they are conscientious enough not to trifle with the facts, as they look back on them from the easiness of modern Christianity which has ceased to demand any heavy effort of self-sacrifice, they either revile the superstition or pity the ignorance which made such large mistakes on the nature of religion—and, loud in their denunciations of priestcraft and of lying wonders, they point their moral with pictures of the ambition of mediaeval prelacy or the scandals of the annals of the papacy. For the inner life of all those millions of immortal souls who were struggling, with such good or bad success as was given them, to carry Christ's cross along their journey in this earth of ours, they set it by, pass it over, dismiss it out of history, with some poor common-place simper of sorrow or of scorn. It will not do. Mankind have not been so long on this planet altogether, that we can allow so large a chasm to be scooped out of their spiritual existence.

We intended to leave our readers with something lighter than all this in the shape of literary criticism and a few specimen extracts; both of which must now, however, be necessarily brief—we are running out our space. Whoever is curious to study the lives of the saints in their originals, should rather go anywhere than to the Bollandists, and universally never read a late life when he can command an early one, for the genius in them is in the ratio of their antiquity, and, like riverwater, is most pure nearest to the fountain head. We are lucky in possessing several specimens of the mode of their growth in late and early lives of the same saints, and the process in all is similar. Out of the lives of St. Bride three are left; out of the sixty-six of St. Patrick, there are eight; the first of each belonging to the sixth century, the latest to the thirteenth. The first are in verse; they belong to a time when there was no one to write such things, and were popular in form and popular in their origin—the flow is easy, the style graceful and natural; but the step from poetry to prose is substantial as well as formal; the imagination is ossified, and the exuberance of legendary creativeness we exchange for the hard dogmatic record of fact without reality, and fiction without grace. The marvellous in the poetical lives is comparatively slight; the after miracles being composed frequently out of a mistake of poets' metaphors for literal truth. There is often real, genial, human beauty in the old verse. The first two stanzas, for instance, of St. Bride's Hymn are of high merit, as may, perhaps, be imperfectly seen in a translation:—

"Bride the queen, she loved not the world;
She floated on the waves of the world
As the sea-bird floats upon the billow.

Such sleep she slept as the mother sleeps
In the far land of her captivity,
Mourning for her child at home."

What a picture is there of the strangeness and yearning of the poor human soul in this earthly pilgrimage. The poetical "Life of St. Patrick," too, is full of fine, wild, natural imagery. The boy is described as a shepherd on the hills of Down, and there is a legend, well told, of the angel Victor coming to him, and leaving a gigantic foot-print on a rock from which he sprang into heaven. The legend, of course, rose from some remarkable natural feature of the spot; but, as it is told here, a shadowy unreality hangs over it, and it is doubtful whether it is more than a vision of the boy. But in the prose all is crystalline; the story is drawn out, with a barren prolixity of detail, into a series of angelic visitations. And again, when Patrick is described, as the after apostle, raising the dead Celts to life, the metaphor cannot be left in its natural force, and we have a long weary list of literal deaths and literal raisings. And so in many ways the freshness and individuality is lost with time. The larger saints swallowed up the smaller and appropriated their exploits; chasms were supplied by an ever ready imagination; and, like the stock of good works laid up for general use, there was a stock of miracles ever ready when any defect was to be supplied. So it was that, after the first impulse, the progressive fire of a saint rolled on like a snow-ball down a mountain-side, gathering up into itself whatever lay in its path, fact or legend, appropriate or inappropriate, sometimes real jewels of genuine old tradition, sometimes the debris of the old creeds and legends of heathenism; and on, and on, till at length it reached the bottom, and was dashed in pieces on the Reformation.

One more illustration—one which shall serve as evidence of what the really greatest, most vigorous, minds in the twelfth century could accept as possible or probable, and which they could relate (on what evidence we do not know) as really ascertained facts. We remember something of St. Artselm: both as a statesman and as a theologian, he was unquestionably the ablest man of his time alive in Europe. Here is a story which he tells of a certain Cornish St. Kieran. The saint with thirty of his companions, was preaching within the frontiers of a lawless pagan prince; and, disregarding all orders to be quiet or to leave the country, continued to agitate, to threaten, and to thunder even in the ears of the prince himself. Things took their natural course. Disobedience provoked punishment. A guard of soldiers was sent, and the saint and his little band were decapitated. The scene of the execution was a wood, and the heads and trunks were left lying there for the wolves and the wild birds.

"But now a miracle, such as was once heard of before in the church in the person of the holy Denis, was again wrought by divine providence to preserve the bodies of his saints from profanation. The trunk of Kieran rose from the ground, and selecting first his own head, and carrying it to a stream, and there carefully washing it, and afterwards performing the same sacred office for each of his companions, giving each body its own head, he dug graves for them and buried them, and last of all buried himself."

It is even so. So it stands written in a life claiming Anselm's authorship; and there is no reason why the authorship should not be his. Out of the heart come the issues of evil and of good, and not out of the intellect or the understanding. Men are not good or bad, noble or base—thank God for it!—as they judge well or ill of the probabilities of nature, but as they love God and hate the devil. And yet it is instructive. We have heard grave good men—men of intellect and influence—with all the advantages of modern science, learning, experience; men who would regard Anselm with sad and serious pity; yet tell us stories, as having fallen within their own experience, of the marvels of mesmerism, to the full as ridiculous (if anything is ridiculous) as this of the poor decapitated Kieran.

"Mutato nomine de te
Fabula narratur."