Fatal gift of greatness! so dangerous ever! so more than

dangerous in those tremendous times when the fountains are broken loose of the great deeps of thought; and nations are in the throes of revolution;—when ancient order and law and tradition are splitting in the social earthquake; and as the opposing forces wrestle to and fro, those unhappy ones who stand out above the crowd become the symbols of the struggle, and fall the victims of its alternating fortunes. And what if into an unsteady heart and brain, intoxicated with splendour, the outward chaos should find its way, converting the poor silly soul into an image of the same confusion,—if conscience should be deposed from her high place, and the Pandora box be broken loose of passions and sensualities and follies; and at length there be nothing left of all which man or woman ought to value, save hope of God's forgiveness.

Three short years have yet to pass, and again, on a summer morning, Queen Anne Boleyn will leave the Tower of London—not radiant then with beauty on a gay errand of coronation, but a poor wandering ghost, on a sad tragic errand, from which she will never more return, passing away out of an earth where she may stay no longer, into a presence where, nevertheless, we know that all is well—for all of us—and therefore for her.

But let us not cloud her shortlived sunshine with the shadow of the future. She went on in her loveliness, the peeresses following in their carriages, with the royal guard in their rear. In Fenchurch Street she was met by the children of the city schools; and at the corner of Gracechurch Street a masterpiece had been prepared of the pseudo-classic art, then so fashionable, by the merchants of the Styll Yard. A Mount Parnassus had been constructed, and a Helicon fountain upon it playing into a basin with four jets of Rhenish wine. On the top of the mountain sat Apollo with Calliope at his feet, and on either side the remaining Muses, holding lutes or harps, and singing each of them some "posy" or epigram in praise of the queen, which was presented, after it had been sung, written in letters of gold.

From Gracechurch Street, the procession passed to Leadenhall, where there was a spectacle in better taste, of the old English Catholic kind, quaint perhaps and forced, but truly and even beautifully emblematic. There was again a "little mountain," which was hung with red and white roses; a gold ring was placed on the summit, on which, as the queen appeared, a white falcon was made to "descend as out of the sky"—"and then incontinent came down an angel with great melody, and set a

close crown of gold upon the falcon's head; and in the same pageant sat Saint Anne with all her issue beneath her; and Mary Cleophas with her four children, of the which children one made a goodly oration to the queen, of the fruitfulness of St. Anne, trusting that like fruit should come of her."[436]

With such "pretty conceits," at that time the honest tokens of an English welcome, the new queen was received by the citizens of London. These scenes must be multiplied by the number of the streets, where some fresh fancy met her at every turn. To preserve the festivities from flagging, every fountain and conduit within the walls ran all day with wine; the bells of every steeple were ringing; children lay in wait with song, and ladies with posies, in which all the resources of fantastic extravagance were exhausted; and thus in an unbroken triumph—and to outward appearance received with the warmest affection—she passed under Temple Bar, down the Strand by Charing Cross to Westminster Hall. The king was not with her throughout the day; nor did he intend to be with her in any part of the ceremony. She was to reign without a rival, the undisputed sovereign of the hour.

Saturday being passed in showing herself to the people, she retired for the night to "the king's manour house at Westminster," where she slept. On the following morning, between eight and nine o'clock, she returned to the hall, where the lord mayor, the city council, and the peers were again assembled, and took her place on the high dais at the top of the stairs under the cloth of state; while the bishops, the abbots, and the monks of the abbey formed in the area. A railed way had been laid with carpets across Palace Yard and the Sanctuary to the abbey gates, and when all was ready, preceded by the peers in their robes of parliament, the Knights of the Garter in the dress of the order, she swept out under her canopy, the bishops and the monks "solemnly singing." The train was borne by the old Duchess of Norfolk her aunt, the Bishops of London and Winchester on either side "bearing up the lappets of her robe." The Earl of Oxford carried the crown on its cushion immediately before her. She was dressed in purple velvet furred with ermine, her hair escaping loose, as she usually wore it, under a wreath of diamonds.

On entering the abbey, she was led to the coronation chair Where she sat while the train fell into their places, and the preliminaries, of the ceremonial were despatched. Then she was conducted up to the high altar, and anointed Queen of England, and she received from the hands of Cranmer, fresh come in haste from Dunstable, with the last words of his sentence upon Catherine scarcely silent upon his lips, the golden sceptre, and St. Edward's crown.