[957]. Diog. Laert. iii. 5.—Aristot. Pol. viii. 3.
[958]. Plin. Hist. Nat. xxxv. 35.
[959]. Phot. Bib. p. 149.
[960]. Hist. de l’Art, l. iv. c. 1. § 13.
[961]. Galen, Protrept. § 8. t. i. p. 19.
[962]. On the interior of this statue inhabited by rats and mice. See Luc. Som. seu. Gall. § 24.
[963]. Polyb. iv. 340. d. Winkel. iv. 1. 15. The Eros of Thespiæ, also, and the Aphrodite of Cnidos, were famous. Luc. Amor. § 11. seq.
[964]. Winkel. iv. 1. 16.
[965]. Quintil. xii. 10. Plin. Hist. Nat. xxxv. 36.
[966]. In the Stoa of Dionysos, at Rhodes, there was a picture gallery filled with historical and mythic pieces.—Luc. Amor. § 8. Similar exhibitions appear to have existed at Cnidos, in the portico of Sostratos.—§ 11. Works of art, sacred to the gods, were likewise treasured up at home.—§ 16. In some temples, we learn, even pictures of immoral tendency, by Parrhasios and others, were admitted.—Lobeck, Aglaopham. p. 606. Aristotle takes from this circumstance occasion to sneer at the religion of paganism which patronised such excesses.—Polit. vii. 15. p. 255. Gœttl.