All these bed-coverings were commonly perfumed with fragrant essences,[[420]] for which reason the voluptuous poets of antiquity dwell with a sort of rapture on the pleasure of rolling about in bed. Ephippos exclaims:—

“How I delight

To spring upon the dainty coverlets;

Breathing the perfume of the rose, and steeped

In tears of myrrh!”

Aristophanes, likewise, and Sophron, the mimographer, make mention of these fragrant counterpanes, which were extremely costly, and inwrought, according to the latter, with figures of birds.[[421]] Elsewhere Athenæus relates that the Persian carpets contained representations of men, animals, and monsters.[[422]] Their blankets, like our own, were plain white; but even so far back as the heroic ages, the upper coverings, as being partly designed for show, were of rich and various colours.[[423]]

There seems to be good ground for believing, that if the Greeks did not borrow their philosophy from the East, they at least derived from them many of the vain and luxurious habits which at length rendered that philosophy of none effect. No one appears to have paid a single visit to Persia, or Syria, or Egypt, without bringing back along with him some pestilent new freak in the matter of dress or furniture, wholly at variance with republican simplicity. We might adduce numerous anecdotes in proof of this. For the present we confine ourselves to the following. Among the Persians, renowned in all ages for sensual indulgences, it was judged of so much importance to enjoy soft and elegantly arranged beds, that in great houses persons were employed who attended only to this. An anecdote in illustration has been preserved by Athenæus. Timagoras, or, according to Phanias, Entimos of Gortyna, envying Themistocles his reception at the court of Persia, undertook himself a toad-eating expedition to that country. Artaxerxes, whose ear could tolerate more flatterers than one, took the Cretan into favour, and made him a present of a superb marquee, a silver-footed bedstead, with costly furniture, and, along with them, sent a slave, as a Turkish pasha would send a cook or a pipe-lighter, because, in his opinion, the Greeks who prepared sleeping-places for so many Persians at Marathon and Platæa, understood nothing of bed-making.

Entimos evidently excelled the great Athenian in the arts of a courtier. In fact, he was the very prototype of Hajji Baba, and enjoyed even still greater influence over the Shah than the illustrious barber’s son of Ispahan. Charmed by his cajolery, Artaxerxes invited him to his private table, where, usually, none but princes of the blood were admitted,[[424]] an honour, as Phanias assures us, which no other Greek ever enjoyed. For, though Timagoras of Athens performed kou-tou before the throne,[[425]] whereby he obtained great consideration among a nation of slaves, and was hanged when he got home, he was not invited to hob-and-nob with his majesty, but only enjoyed the distinction of having certain dishes sent him from the king’s table. To Antalcidas, the Spartan, Artaxerxes sent his crown dipped in liquid perfume, an agreeable compliment, but which he more than once paid to Entimos, whose extraordinary favour at court in the long run, however, awakened the envy of the Persians. The canopy of the marquee presented to this Cretan was spangled with bright flowers, and, among the other articles of which the imperial gift consisted, were a throne of massive silver, a gilded parasol, several golden cups crusted with jewels, a hundred maple-tables with ivory feet, a hundred goblets of silver, several vases of the same precious metal, a hundred female slaves, an equal number of youths, with six thousand pieces of gold, besides what was furnished him for his daily expenditure.[[426]]

A gentleman travelling in Ireland witnessed the ingenuity of that ready-witted people in applying the same thing to various uses: first, he saw the tablecloth, on which he had eaten a good supper, transferred as a sheet to his bed, and, next morning, his kind hostess, offering her services to put him in the right way, converted the same article into a mantle, which she wrapped about her shoulders. The Greeks were almost equally ingenious. With them what was a cloak by day became sometimes a counterpane at night,[[427]] in addition, perhaps, to the ordinary bed-clothes; for it is clear they loved to be warm, from the somewhat reproachful allusion of Strepsiades in the “Clouds” to the five sisyræ,[[428]] rolled snugly up in which, his son, Pheidippides, could sleep while thoughts of his debts bit the old man like so many bugs, and roused him hours before day to consult his ledgers. All kinds of stromata were, in Plato’s time, divided into two classes, first, coverings for the body, such as cloaks, mantles, and so on; secondly, bed-clothes, properly so called.

The walls of their chambers were frequently hung with Milesian tapestry, a custom to which Amphis alludes in his Odysseus: