In the bows was a prodigious reservoir of fresh-water, lined with tarpaulin, and kept under lock and key; and near it lay the piscina or fish-pond, overlaid with lead, and filled with sea-water, in which was preserved an ample supply of fish for a long voyage. On projecting galleries, extending along the ship’s sides, were situated the wood-house, the kitchen, the bake-house, the mills, and other conveniences. At different distances along the sides were ranged numerous figures of Atlas, nine feet in height, supporting the triglyphs and the projecting portions of the ship: its whole surface, moreover, was adorned with suitable paintings.
There arose from the deck eight towers, two on the stern, two on the prow, and four in the ship’s waist, in diameter and elevation proportioned to the dimensions of the whole. From the outer battlements of each of these turrets projected two immense beams, hollowed out like troughs, which being balanced in the middle on the edge of the tower, could be filled with huge stones, that, by elevating the inner extremity of the machine, were launched into the enemy’s ship as it sailed beneath. These engines were probably worked by ropes and pulleys attached to the opposite battlements. Six armed men, two of whom were archers, took their station in each turret, the whole interior of which was filled with stones and darts. All round the ship, supported by a series of triangles, ran a gallery, defended by a parapet and battlements. On this stood a catapult, invented by Archimedes, which cast darts eighteen feet long, with stones upwards of three hundred and fifty pounds in weight, to the distance of a furlong. This gallery, as well, I presume, as the men who worked the engine, was protected by a close net-work of large ropes suspended from brazen chains. To each of the three masts was attached a couple of engines, which darted iron bars and masses of lead against the enemy. The sides of the ship bristled with iron spikes, designed to protect it against boarding; and on all sides were likewise grapples, which could be flung by machines into the galleys of the foe, so as to retain them within reach of the missiles from on board. Along the galleries, and round the masts and catapults, were drawn up two hundred and forty men in complete armour. In the fore, main, and mizen-tops were stationed other warriors, who were supplied with stones and similar missiles by baskets running on pulleys, and worked by boys. The ship was supplied with twelve anchors, of which four were of wood, and eight of iron.[[1686]]
Very little difficulty was experienced in discovering pines sufficiently lofty for the fore and mizen-masts of this huge galley; but it was only by accident that a swineherd in the mountains of the Abruzzi found a tree of sufficient magnitude for the mainmast. It was conveyed to the sea by Philias, an engineer of Taurominium. The pump, notwithstanding its great depth, was easily worked by the screw of Archimedes, and only required the labour of one individual. The name first bestowed on this ship by Hiero was “The Syracusan;” but when afterwards he despatched it as a present to King Ptolemy, he changed it to that of the “The Alexandrian.”
Besides the individuals already enumerated, there were six hundred men stationed on the prow; and to administer justice in this floating commonwealth a court was instituted, consisting of the captain, the pilot, and the principal officers in command in the forecastle, who judged according to the laws of Syracuse. It was followed on the voyage to Egypt by a number of smaller craft, of which the majority were fishing-smacks.
The cargo of “The Alexandrian,” which, together with the vessel itself, was presented to King Ptolemy at a time when famine raged in Egypt, consisted of sixty thousand medimni of corn, two thousand jars of salt-fish, twenty thousand talents of wool, and an equal quantity of other commodities. The poet Archimelos having written a copy of verses on this nautical castle, Hiero felt so greatly flattered by the compliment that he sent the author a thousand medimni of wheat, which he landed for him at the Peiræeus.
In order to convey some idea of another department of nautical architecture among the ancients, in which there was probably a greater display of fancy than of science, we shall here introduce the description of a pleasure-barge in which Ptolemy Philopater and the ladies of his court used to sail upon the Nile.[[1687]] Among the caliphs and sultans of the East we find traces of a similar taste for gorgeous and magnificent barks; but neither in history nor fiction do we remember to have met any account of a vessel so curiously constructed, or so superbly and sumptuously adorned. It was, in the first place, half a furlong in length, flat-bottomed, and rising high above the water on account of the swell, with projecting keel, and prow of most graceful curvature,—or, I should rather, perhaps, say, prows, for it appeared double in front, as though a pair of galleys had been lashed together. Along the sides and stern ran two galleries, the one above the other, where the persons on board might stroll and take exercise as the barge was wafted along by the wind. Of these the lower one resembled an open peristyle, the upper a close arcade furnished at intervals with windows looking out upon the river.
Considering the whole barge as one great building, the architect placed the extreme hall encircled by a single row of columns at the extremity of the stern, where it was, doubtless, approached from the upper gallery. Having traversed this, you next beheld a propylæon erected with the most precious wood and ivory. This led into a proscenion roofed over, in the vicinity of which lay a variety of chambers. Of these the most remarkable was a vast peripheral hall fitted up with twenty couches. This apartment was wainscotted with cedar and Milesian cypress; the doors, twenty in number, were formed of panels of citron wood richly inlaid with ivory. The hinges, the nails, the knockers, and door-handles, were of copper, gilt. The shafts of the columns were cypress wood, and the Corinthian capitals of gold and ivory were surmounted by an architrave richly overlaid with gold. Above this again was a broad frieze adorned with numerous figures of animals roughly sculptured in ivory, but remarkable for the costliness of the materials. The ceiling was of cedar wood elaborately carved and covered with a blaze of gilding. Close at hand were the apartments of the women, in the structure and ornaments of which equal magnificence was displayed. In another part of the bark was a chapel of Aphroditè surmounted by a dome. It contained a statue of the goddess in Parian marble. This sacred edifice was surrounded by other suites of apartments among which was a symposion adorned with pillars of Indian marble. Towards the prow was a saloon sacred to Dionysos, surrounded on all sides with pillars furnished with numerous couches, and adorned with gilded cornices. The roof was enriched with ornaments suited to the character of the god, that is, in all probability orgeastic processions of Bacchantes and Bacchanals, with crowns of ivy and vine leaves. On the right hand this saloon opened into a grotto or cavern, in which the colours of rocks were imitated by an incrustation of precious stones, whose brilliance was in various parts relieved by ornaments of gold. The busts of the royal family sculptured of Parian marble were ranged round the grot.
On the roof of the great saloon was erected a small symposion, in the form of a tent, exceedingly agreeable from its airiness and the fine prospect it commanded over the whole valley of the Nile. It was completely open in front, and the roof consisting of a series of semicircular hoops like the top of a calèche, it could be bent down and drawn forward at pleasure, and was covered with purple hangings. By a winding staircase constructed in a different part of the bark, you ascended to another hall, constructed and decorated after the Egyptian manner, being adorned with a number of round pillars composed of a succession of blocks of equal height, alternately white and black. Their capitals, likewise were round, but contracting rather than expanding at the top like an elongated rose-bud.
In all this part of the column, technically denominated calathos, there were neither volutes nor rows of open and projecting foliage as in Greek architecture, but bells of the river lotos, or other flowers, intermingled with newly formed fruit of the date palm. To correspond with these columns, the walls of Egyptian edifices were frequently lined with black and white slabs alternating with each other. Of these the white were sometimes of alabaster.
This bark was furnished with but one mast, one hundred and five feet in height, to which was fitted a single sail of byssus with purple fringe. The dimensions of the sail must, however, have been prodigious, but from the fineness of its fabric it could never have been hoisted in rough weather.