“Where to?”
“Where to? Home, of course.”
“Oh, home?”
“Of course—the baby and the wife. Patsie, but you ought to marry. You’ll never be half a man till you marry.”
“Yes? And who’ll I marry?”
“Oh, some nice, fine girl. Man, but there’s whole schools of girls’d jump to marry you—whole schools, man. Heave your seine and you’d get a deck-load of ’em—or a dory-load, anyway.”
“No, nor a dory-load, nor a single one caught by the gills in mistake—me that has no more learnin’ than a husky out o’ Greenland. Not me, Wesley, that can’t read my own name unless it’s wrote in plain print, and that c’n only find my way about by dead reckonin’. I c’n haul the log, and, knowin’ her course and allowin’ for tides and one thing or another that’s set down and the other things that aren’t set down, but which a man knows nat’rally——”
“Yes, Patsie, and knows it better than nineteen out o’ twenty that has sextants and quadrants, and can run them—what do they call ’em—sumner lines?”
“Well, maybe as well as some, Wesley. But, Wesley, girls aren’t lookin’ for the likes o’ me. Patsie Oddie’ll do to handle a vessel, maybe, and he’ll take her where any other man that sails the sea’ll take her, and he’ll bring her home again. And he’s good enough to get the fish and bring them to market, to hang out in a blow, to carry sail till all’s blue, and the like o’ that. But his style don’t go these days, Wesley. No, there may be schools o’ girls swimmin’ around somewheres, but they’re divin’ the twine when Patsie Oddie makes a set. Anyway, it wouldn’t make any difference to me if whole rafts of ’em was to come swimmin’ alongside and poke their heads up and say, ‘Come and take me.’ I’m one o’ them queer kind, Wesley, that only goes after one girl. And I set for her—and didn’t get her.”
Wesley said nothing to that for a while. Then it was: “Well, Patsie, never mind. I didn’t think when I spoke first. I’ll say, though, that I don’t think much of the girl that wouldn’t stand watch with you if you asked her. If she wanted a man, Patsie, I’m sure I don’t know where she’d get a better one—that’s if it’s a man she wanted. If she don’t want a man, but only a smooth kind of arrangement that plays a banjo or c’n stand up to a pianner and sing, ‘I loves yer, I loves yer,’ or some other damn mess—and the same to every girl that looks his way—one of the kind that’s hell ashore, but can’t take in sail in a gale without washin’ a couple of men over the lee-rail, one of the kind that gives this way and that to every tide that ebbs and flows, like a red-painted whistlin’ buoy—why, then, maybe somebody else’d look prettier swashin’ around for the people to look at and make use of. Maybe,” went on Wesley, “she’d take a notion to some bucko like Artie Orcutt that just lost the Neptune. Heard of it?”