“And given up the Maggie—that was built for you—that I heard you say a hundred times was not a bad sailer at all and the ablest vessel of her tonnage that ever sailed past Boston Light?”

“Yes, or past any other light. She’s that and more. But Lord bless you, she can’t sail with some of the new ones, and I’m tired to my soul of havin’ every blessed model of a fisherman that was ever launched comin’ up on my quarter and goin’ by like I was an old sander. This last time who was it, d’y’ think? You’d never guess. Name every vessel that ever sailed out of T Dock and she’d be the last you or any other man’d name. Who but the Bonita—yes. The black-whiskered divil, Portugee Joe, yes—with the rings in his ears. Faith, an’ had I hold of him when he said it, ’tis in his nose he’d be wearin’ them. ‘Captain Joyce,’ he hails, and the bloody Dago he can’t talk United States yet—‘Captain Joyce, what you carry, hah?—breeks or gran-eet or what?’ Gran-eet, mind ye, with the Western Islands brogue of him! Yes, and goes on by the same’s if the Maggie was r’ally loaded with granite. ‘By the Lord,’ I calls out after him, ‘but the next time you and me try tacks I’ll make a wake for you to steer by or I’ll know why.’ And I’ve got a vessel now, b’y, a vessel that can sail or I don’t know fast lines when I see them. And the Portugee he’s just gone down the harbor—he’ll be waitin’ for me outside the lightship, he says. So I’m off.”

Captain Joyce journeyed on and, standing on the cap-log at the end of the wharf, he looked down on his new vessel and his eyes shone with joy in the sheer beauty of her. “Purty, purty, purty,” he murmured; “just like she was whittled out of a block.” And, turning to a man who was taking his bag ashore, the last man of the old gang to leave her, he inquired, “She can sail, they tell me, this one?”

“Oh, she can sail all right.”

“And how does she handle?”

“Handle? She’s that quick in stays that you want to watch her.”

“Watch her, eh? And stiff is she?”

“I don’t know about that. One day we used to think she was a house, but again she’d roll down in a twelve-knot breeze, and in a way to make your hair curl.”

“Man alive! But whisper, was that why Jimmie Eliot gave her up?”

“I don’t know about that. He wouldn’t say, the Skipper wouldn’t.”