CHAPTER I
THE MEETING

The biography of a hero written by his valet would be interesting, and, according to proverbial wisdom, unbiased by the heroic repute of its subject. But it would be artificial for all that. Even though the hero be no hero to his valet, the valet is fully aware of his master’s fame; indeed, the man will be so inconsistent as to pride himself, and take pleasure in, those qualities of his master, the existence of which he would be the first to deny.

Where, however, a literary genius condescends to an intimacy with a simple son of sea and shore who is not only practically

illiterate but is entirely ignorant of his patron’s prowess, the opinions of the illiterate concerning the personal characteristics of the genius obtain a very remarkable value as being honest criticism by man of man, uninfluenced by the spirit either of disingenuous adulation or of equally disingenuous depreciation. That these opinions are in the eyes of a disciple of the great man quaint, almost insolently crude is a matter of course. But when they tend to show the master not only great in letters but great in heart, soul, human kindness, and generosity, they form, perhaps, the most notable tribute to a great personality.

With the exception of Charles Lamb, no man’s letters have endeared his memory to so many readers as have the letters of Edward FitzGerald. But FitzGerald’s friends (to whom most of the letters hitherto published were addressed) were cultured gentlemen, men of the first rank of the time, of the first rank of all time,

men who would necessarily be swayed by the charm of his culture, by the delicacy of his wit, by the refinement of his thoughts.

In the case of “Posh,” however (that typical Lowestoft fisherman who supplied “Fitz” with a period of exaltation which was as extraordinary as it was self-revealing), there were no extraneous influences at work. Posh knew the man as a good-hearted friend, a man of jealous affection, as a free-handed business partner, as a lover of the sea. He neither knew nor cared that his partner (he would not admit that “patron” would be the better word!) was the author of undying verse. To this day it is impossible to make him understand that reminiscences of FitzGerald are of greater public interest than any recollection of him—Posh.

It was not easy to explain to him that it was his first meeting with Edward FitzGerald that was the thing and not the theft of his (Posh’s) father’s longshore lugger

which led to that meeting. However, time and patience have rendered it possible to separate the wheat from the tares of his narrative; and what tares may be left may be swallowed down with the more nutritious grain without any deleterious effect.