I did not presume to controvert this censure, which was tinctured with his prejudice against players[1181]; but I could not help thinking that a dramatick poet might with propriety pay a compliment to an eminent performer, as Whitehead has very happily done in his verses to Mr. Garrick[1182].
[Page 403: The abruptness of Gray's Ode. Ætat 54.]
'Sir, I do not think Gray a first-rate poet. He has not a bold imagination, nor much command of words. The obscurity in which he has involved himself will not persuade us that he is sublime[1183]. His Elegy in a Church-yard has a happy selection of images, but I don't like what are called his great things. His Ode which begins
"Ruin seize thee, ruthless King,
Confusion on thy banners wait!"
has been celebrated for its abruptness, and plunging into the subject all at once[1184]. But such arts as these have no merit, unless when they are original. We admire them only once; and this abruptness has nothing new in it. We have had it often before. Nay, we have it in the old song of Johnny Armstrong[1185]:
"Is there ever a man in all Scotland
From the highest estate to the lowest degree, &c."
And then, Sir,
"Yes, there is a man in Westmoreland,
And Johnny Armstrong they do him call."
There, now, you plunge at once into the subject. You have no previous narration to lead you to it. The two next lines in that Ode are, I think, very good:
"Though fann'd by conquest's crimson wing,
They mock the air with idle state[1186]."'