[481] Journal of a Tour to the Hebrides, 3rd ed. p. 35 [p. 55. Aug. 19, 1773]. BOSWELL.
[482] 'mint of ecstasy:' Savage's Works (1777), ii. 91.
[483] 'He lives to build, not boast a generous race: No tenth transmitter of a foolish face.' Ib.
[484] 'The Bastard: A poem, inscribed with all due reverence to Mrs. Bret, once Countess of Macclesfield. By Richard Savage, son of the late Earl Rivers. London, printed for T. Worrall, 1728.' Fol. first edition. P. CUNNINGHAM. Between Savage's character, as drawn by Johnson, and Johnson himself there are many points of likeness. Each 'always preserved a steady confidence in his own capacity,' and of each it might be said:—'Whatever faults may be imputed to him, the virtue of suffering well cannot be denied him.' Each 'excelled in the arts of conversation and therefore willingly practised them.' In Savage's refusal to enter a house till some clothes had been taken away that had been left for him 'with some neglect of ceremonies,' we have the counterpart of Johnson's throwing away the new pair of shoes that had been set at his door. Of Johnson the following lines are as true as of Savage:—'His distresses, however afflictive, never dejected him; in his lowest state he wanted not spirit to assert the natural dignity of wit, and was always ready to repress that insolence which the superiority of fortune incited; … he never admitted any gross familiarities, or submitted to be treated otherwise than as an equal.' Of both men it might be said that 'it was in no time of his life any part of his character to be the first of the company that desired to separate.' Each 'would prolong his conversation till midnight, without considering that business might require his friend's application in the morning;' and each could plead the same excuse that, 'when he left his company, he was abandoned to gloomy reflections.' Each had the same 'accurate judgment,' the same 'quick apprehension,' the same 'tenacious memory.' In reading such lines as the following who does not think, not of the man whose biography was written, but of the biographer himself?—'He had the peculiar felicity that his attention never deserted him; he was present to every object, and regardful of the most trifling occurrences … To this quality is to be imputed the extent of his knowledge, compared with the small time which he spent in visible endeavours to acquire it. He mingled in cursory conversation with the same steadiness of attention as others apply to a lecture…. His judgment was eminently exact both with regard to writings and to men. The knowledge of life was indeed his chief attainment.' Of Johnson's London, as of Savage's The Wanderer, it might equally well be said:—'Nor can it without some degree of indignation and concern be told that he sold the copy for ten guineas.'
[485] 'Savage was now again abandoned to fortune without any other friend than Mr. Wilks; a man who, whatever were his abilities or skill as an actor, deserves at least to be remembered for his virtues, which are not often to be found in the world, and perhaps less often in his profession than in others. To be humane, generous, and candid is a very high degree of merit in any case, but those qualities deserve still greater praise when they are found in that condition which makes almost every other man, for whatever reason, contemptuous, insolent, petulant, selfish, and brutal.' Johnson's Works, viii. 107.
[486] In his old age he wrote as he had written in the vigour of his manhood:—'To the censure of Collier … he [Dryden] makes little reply; being at the age of sixty-eight attentive to better things than the claps of a play-house.' Johnson's Works vii. 295. See post, April 29, 1773, and Sept. 21, 1777.
[487] Johnson, writing of the latter half of the seventeenth century, says:—'The playhouse was abhorred by the Puritans, and avoided by those who desired the character of seriousness or decency. A grave lawyer would have debased his dignity, and a young trader would have impaired his credit, by appearing in those mansions of dissolute licentiousness.' Johnson's Works, vii. 270. The following lines in Churchill's Apology (Poems, i. 65), published in 1761, shew how strong, even at that time, was the feeling against strolling players:—
'The strolling tribe, a despicable race,
Like wand'ring Arabs shift from place to place.
Vagrants by law, to Justice open laid,
They tremble, of the beadle's lash afraid,
And fawning cringe, for wretched means of life,
To Madam May'ress, or his Worship's Wife.'
[488] Johnson himself recognises the change in the public estimation:—'In Dryden's time,' he writes, 'the drama was very far from that universal approbation which it has now obtained.' Works, vii. 270.
[489] Giffard was the manager of the theatre in Goodman's Fields, where Garrick, on Oct. 19, 1741, made his first appearance before a London audience. Murphy's Garrick, pp. 13, 16.