[1181] See ante, p. 167.
[1182] 'Whitehead was for some while Garrick's "reader" of new plays for Drury-lane.' Forster's Goldsmith, ii. 41. See post, April 25, 1778, note. The verses to Garrick are given in Chalmers's English Poets, xvii. 222.
[1183] 'In 1757 Gray published The Progress of Poetry and The Bard, two compositions at which the readers of poetry were at first content to gaze in mute amazement. Some that tried them confessed their inability to understand them…. Garrick wrote a few lines in their praise. Some hardy champions undertook to rescue them from neglect; and in a short time many were content to be shown beauties which they could not see.' Johnson's Works, viii. 478. See post, March 28, and April 2, 1775, and 1780 in Mr. Langton's Collection. Goldsmith, no doubt, attacked Gray among 'the misguided innovators,' of whom he said in his Life of Parnell:—'They have adopted a language of their own, and call upon mankind for admiration. All those who do not understand them are silent, and those who make out their meaning are willing to praise to show they understand.' Goldsmith's Misc. Works, iv. 22.
[1184] Johnson, perhaps, refers to the anonymous critic quoted by Mason in his notes on this Ode, who says:—'This abrupt execration plunges the reader into that sudden fearful perplexity which is designed to predominate through the whole.' Mason's Gray, ed. 1807, i. 96.
[1185] 'Of the first stanza [of The Bard] the abrupt beginning has been celebrated; but technical beauties can give praise only to the inventor. It is in the power of any man to rush abruptly upon his subject that has read the ballad of Johnny Armstrong.' Johnson's Works, viii. 485.
[1186] My friend Mr. Malone, in his valuable comments on Shakspeare, has traced in that great poet the disjecta membra of these lines. BOSWELL. Gray, in the edition of The Bard of the year 1768, in a note on these lines had quoted from King John, act v. sc. 1:—'Mocking the air with colours idly spread.' Gosse's Gray, i. 41. But Malone quotes also from Macbeth, act i. sc. 2:—
'Where the Norweyan banners flout the sky
And fan our people cold.'
'Out of these passages,' he said, 'Mr. Gray seems to have framed the first stanza of his celebrated Ode.' Malone's Shakespeare, xv. 344.
[1187] Cradock records (Memoirs, 1.230) that Goldsmith said to him:—'You are so attached to Kurd, Gray, and Mason, that you think nothing good can proceed but out of that formal school;—now, I'll mend Gray's Elegy by leaving out an idle word in every line.
"The curfew tolls the knell of day,
The lowing herd winds o'er the lea
The ploughman homeward plods his way
And—-"