I find in this, as in former years, notices of his kind attention to Mrs. Gardiner[763], who, though in the humble station of a tallow-chandler upon Snow-hill, was a woman of excellent good sense, pious, and charitable. She told me, she had been introduced to him by Mrs. Masters[764], the poetess, whose volumes he revised, and, it is said, illuminated here and there with a ray of his own genius. Mrs. Gardiner was very zealous for the support of the Ladies' charity-school, in the parish of St. Sepulchre. It is confined to females; and, I am told, it afforded a hint for the story of Betty Broom in The Idler[765]. Johnson this year, I find, obtained for it a sermon from the late Bishop of St. Asaph, Dr. Shipley, whom he, in one of his letters to Mrs. Thrale[766], characterises as 'knowing and conversible;' and whom all who knew his Lordship, even those who differed from him in politicks, remember with much respect[767].
The Earl of Carlisle having written a tragedy, entitled The Fathers Revenge[768], some of his Lordship's friends applied to Mrs. Chapone[769] to prevail on Dr. Johnson to read and give his opinion of it[770], which he accordingly did, in a letter to that lady. Sir Joshua Reynolds having informed me that this letter was in Lord Carlisle's possession, though I was not fortunate enough to have the honour of being known to his Lordship, trusting to the general courtesy of literature, I wrote to him, requesting the favour of a copy of it, and to be permitted to insert it in my Life of Dr. Johnson. His Lordship was so good as to comply with my request, and has thus enabled me to enrich my work with a very fine piece of writing, which displays both the critical skill and politeness of my illustrious friend; and perhaps the curiosity which it will excite, may induce the noble and elegant Authour to gratify the world by the publication[771] of a performance, of which Dr. Johnson has spoken in such terms.
'To MRS. CHAPONE.
'MADAM,
'By sending the tragedy to me a second time[772], I think that a very honourable distinction has been shewn me, and I did not delay the perusal, of which I am now to tell the effect.
'The construction of the play is not completely regular; the stage is too often vacant, and the scenes are not sufficiently connected. This, however, would be called by Dryden only a mechanical defect[773]; which takes away little from the power of the poem, and which is seen rather than felt.
'A rigid examiner of the diction might, perhaps, wish some words changed, and some lines more vigorously terminated. But from such petty imperfections what writer was ever free?
'The general form and force of the dialogue is of more importance. It seems to want that quickness of reciprocation which characterises the English drama, and is not always sufficiently fervid or animated.
'Of the sentiments I remember not one that I wished omitted. In the imagery I cannot forbear to distinguish the comparison of joy succeeding grief to light rushing on the eye accustomed to darkness. It seems to have all that can be desired to make it please. It is new, just, and delightful[774].
'With the characters, either as conceived or preserved, I have no fault to find; but was much inclined to congratulate a writer, who, in defiance of prejudice and fashion, made the Archbishop a good man, and scorned all thoughtless applause, which a vicious churchman would have brought him.