18. John Leland, "Art Born of Outrage in the Internet Age," New York Times (September 25, 2005), D3.
19. Grand Upright Music, Ltd. v. Warner Bros. Records, Inc., 780 F. Supp. 182 (S.D.N.Y. 1991).
20. Ibid., 183.
21. Kembrew McLeod, Owning Culture: Authorship, Ownership and
Intellectual Property Law (New York: Peter Lang, 2001), and Siva
Vaidhyanathan, Copyrights and Copywrongs: The Rise of
Intellectual Property and How It Threatens Creativity (New York:
New York University Press, 2001).
22. Bridgeport Music, Inc. v. Dimension Films, 410 F.3d 792, 804n16 (6th Cir. 2005).
23. Walter Benjamin, "The Work of Art in the Age of Mechanical
Reproduction," in Illuminations: Essays and Reflections, ed.
Hannah Arendt, trans. Harry Zohn (New York: Harcourt, Brace &
World, 1968), 217-42.
24. Campbell v. Acuff-Rose Music, Inc., 510 U.S. 569, 583 (1994).
Notes: Chapter 6
1. Lisa de Moraes, "Kanye West's Torrent of Criticism, Live on NBC," Washington Post (September 3, 2005), C1, available at http://www.washingtonpost.com/wp- dyn/content/article/2005/09/03/AR2005090300165.html.
2. John Leland, "Art Born of Outrage in the Internet Age," New York Times (September 25, 2005), D3.