“That he shall not lack,” the Queen said, and gently unclasped from Osmund’s wrinkled neck the thin gold chain, now locketless. “There was a portrait here,” she said; “the portrait of a woman whom he loved in his youth, Messire Camoys. And all his life it lay above his heart.”
Camoys answered stiffly: “I imagine this same locket to have been the object which Messire Heleigh flung into the river, shortly before we began our combat. I do not rob the dead, madame.”
“Well,” the Queen said, “he always did queer things, and so, I shall always wonder what sort of lady he picked out to love, but it is none of my affair.”
Afterward she set to work on requisitions in the King’s name. But Osmund Heleigh she had interred at Ambresbury, commanding it to be written on his tomb that he died in the Queen’s cause.
How the same cause prospered (Nicolas concludes), how presently Dame Alianora reigned again in England and with what wisdom, and how in the end this great Queen died a nun at Ambresbury and all England wept therefor—this you may learn elsewhere. I have chosen to record six days of a long and eventful life; and (as Messire Heleigh might have done) I say modestly with him of old, Majores majora sonent. Nevertheless, I assert that many a forest was once a pocketful of acorns.
THE END OF THE FIRST NOVEL
II
THE STORY OF THE TENSON
“Plagues à Dieu ja la nueitz non falhis,