Demetrios had assumed an admirable air of simplicity.
"God give you joy, messire," he said, with a simper; "I come bringing a precious balsam which cures all sorts of ills, and heals the troubles both of body and mind. For what is better than to have a pleasant companion to sing and tell merry tales, songs and facetious histories?"
"You appear to be something of a fool," Bracciolini considered, "but all do not sleep who snore. Come, tell me what are your accomplishments."
"I can play the lute, the violin, the flageolet, the harp, the syrinx and the regals," the other replied; "also the Spanish penola that is struck with a quill, the organistrum that a wheel turns round, the wait so delightful, the rebeck so enchanting, the little gigue that chirps up on high, and the great horn that booms like thunder."
Bracciolini said:
"That is something. But can you throw knives into the air and catch them without cutting your fingers? Can you balance chairs and do tricks with string? or imitate the cries of birds? or throw a somersault and walk on your head? Ha, I thought not. The Gay Science is dying out, and young practitioners neglect these subtile points. It was not so in my day. However, you may come in."
So when night fell Demetrios and Bracciolini sat snug and sang of love, of joy, and arms. The fire burned bright, and the floor was well covered with gaily tinted mats. White wines and red were on the table.
Presently they turned to canzons of a more indecorous nature. Demetrios sang the loves of Douzi and Ishtar, which the gaoler found remarkable. He said so and crossed himself. "Man, man, you must have been afishing in the mid-pit of hell to net such filth."
"I learned that song in Nacumera," said Demetrios, "when I was a prisoner there with Messire de la Forêt. It was a favourite song with him."
"Ay?" said Bracciolini. He looked at Demetrios very hard, and Bracciolini pursed his lips as if to whistle. The gaoler scented from afar a bribe, but the face of Demetrios was all vacant cheerfulness.