"I know you are, big boy. But still, I wonder," Freydis said, "and the wondering is a thin little far-off grief."
XVII
Magic of the Image-Makers
It was presently noised abroad that Queen Freydis of Audela had become a human woman; and thereafter certain enchanters came to Upper Morven, to seek her counsel and her favor and the aid of Schamir. These were the enchanters, Manuel was told, who made images, to which they now and then contrived—nobody seemed to know quite how, and least of all did the thaumaturgists themselves,—to impart life.
Once Manuel went with Freydis into a dark place where some of these magic-workers were at labor. By the light of a charcoal fire, clay images were ruddily discernible; before these the enchanters moved unhumanly clad, and doing things which, mercifully perhaps, were veiled from Manuel by the peculiarly perfumed obscurity.
As Manuel entered the gallery one of the magic-workers was chaunting shrilly in the darkness below. "It is the unfinished Rune of the Blackbirds," says Freydis, in a whisper.
Below them the troubled wailing continued:
"—Crammed and squeezed, so entombed (on some wager I hazard), in spite of scared squawking and mutter, after the fashion that lean-faced Rajah dealt with trapped heroes, once, in Calcutta. Dared you break the crust and bullyrag 'em—hot, fierce and angry, what wide beaks buzz plain Saxon as ever spoke Witenagemot! Yet, singing, they sing as no white bird does (where none rears phoenix) as near perfection as nature gets, or, if scowls bar platitude, notes for which there is no rejection in banks whose coinage—oh, neat!—is gratitude."