"Once it was into the illustrations to the Popular Tales of Poictesme, and we met my great grandfather Jurgen there. And once it was into the picture on the cover of that unveracious pamphlet the manager of the Green Chalybeate sends in the spring to everybody who has once been there. That time was very odd.
"It is a picture of the Royal Hotel, you may remember, as it used to be a good ten years ago. Both fountains were playing in the sunlight, —they were torn down when I was at college, and I had almost forgotten their existence; and elegant and languid ladies were riding by, in victorias, and under tiny parasols trimmed with fringe, and all these ladies wore those preposterously big sleeves they used to wear then; and men in little visored skull caps were passing on tall old-fashioned bicycles, just as they do in the picture. Even the silk-hatted gentleman in the corner, pointing out the beauties of the building with his cane, was there.
"And Stella and I walked past the margin of the picture, and so on down the boardwalk to the other hotel, to look for our parents. And we agreed not to tell anyone that we had ever grown up, but just to let it be a secret between us two; and we were to stay in the picture forever, and grow up all over again, only we would arrange everything differently. And Stella was never to go driving on the twenty-seventh of April, so that we would be quite safe, and would live together for a long, long while.
"She wouldn't promise, though, that when Peter Blagden asked to be introduced, she would refuse to meet him. She just giggled and shook her sunny head. She hadn't any hat on. She was wearing the blue-and-white sailor-suit, of course."….
4
But a servant was lighting up the front-hall, and the glare of it came through the open door, and now the room was just like any other room.
"And you are Robert Townsend!" the marquise observed. "The one my mother doesn't approve of as a visitor!"
Madame d'Arlanges said, with a certain lack of sequence: "And yet you are planning to do precisely what Peter Blagden did. He liked Stella, she amused him, and he thought her money would come in very handy; and so he, somehow, contrived to marry her in the end, because she was just a child, and you were a child, and he wasn't. And he always lied to her about—about those business-trips—even from the very first. I knew, because I'm not a sentimental person. But, Bob, how can you stoop to mimic Peter Blagden! For you are doing precisely what he did; and for Rosalind, just as it was for Stella, it is almost irresistible, to have the chance of reforming a man who has notoriously been 'talked about.' Still, I see that for Stella's sake you won't lie as steadfastly to Rosalind as Peter did to Stella. It is none of my business of course; oh, I don't meddle. I merely prophesy that you won't."
But those lights had made an astonishing difference. And so, "But why not?" said I. "It is the immemorial method of dealing with savages; and surely women can never expect to become quite civilised so long as chivalry demands that a man say to a woman only what he believes she wants to hear? Ah, no, my dear Lizzie; when a man tries to get into a woman's favour, custom demands that he palliate the invasion with flatteries and veiled truths—or, more explicitly, with lies,—just as any sensible explorer must come prepared to leave a trail of looking-glasses and valueless bright beads among the original owners of any unknown country. For he doesn't know what obstacles he may encounter, and he has been taught, from infancy, to regard any woman as a baleful and unfathomable mystery—"
"She is never so—heaven help her!—if the man be sufficiently worthless."