The Cords of Vanity: A Comedy of Shirking

by James Branch Cabell

So that in my appraisal, you may depend upon it, her lips were quickly passed over as a dangerous topic, and were dismissed with the mental statement that they were red and not altogether unattractive. Whereas her cheeks baffled me for a time,—but always with a haunting sense of familiarity—till I had, at last, discovered they reminded me of those little tatters of cloud that sometimes float about the setting sun,—those irresolute wisps which cannot quite decide whether to be pink or white, and waver through their tiny lives between the two colours.

2

To this effect, then, I discoursed with my soul, what time I sat upon the wall-top and smiled and kicked my heels to and fro among the ivy. By and by, though, the girl sighed.

"You are placing me in an extremely unpleasant position," she complained, as if wearily. "Would you mind returning to your sanatorium and allowing me to go on reading? For I am interested in my book, and I can't possibly go on in any comfort so long as you elect to perch up there like Humpty-Dumpty, and grin like seven dozen Cheshire cats."

"Now, that," I spoke, in absent wise, "is but another instance of the widely prevalent desire to have me serve as scapegoat for the sins of all humanity. I am being blamed now for sitting on top of this wall. One would think I wanted to sit here. One would actually think," I cried, and raised my eyes to heaven, "that sitting on the very humpiest kind of iron spikes was my favorite form of recreation! No,—in the interests of justice," I continued, and fell into a milder tone, "I must ask you to place the blame where it more rightfully belongs. The injuries which are within the moment being inflicted on my sensitive nature, and, incidentally, upon my not overstocked wardrobe, I am willing to pass over. But the claims of justice are everywhere paramount. Miss Hugonin, and Miss Hugonin alone, is responsible for my present emulation of Mohammed's coffin, and upon that responsibility I am compelled to insist."

"May one suggest," she queried gently, "that you are probably—mistaken?"

I sketched a bow. "Recognising your present point of view," said I, gallantly, "I thank you for the kindly euphemism. But may one allowably demonstrate the fallacy of this same point of view? I thank you: for silence, I am told, is proverbially equal to assent. I am, then, one Robert Townsend, by birth a gentleman, by courtesy an author, by inclination an idler, and by lucky chance a guest of Mr. Peter Blagden, whose flourishing estate extends indefinitely yonder to the rear of my coat-tails. My hobby chances to be gardening. I am a connoisseur, an admirer, a devotee of gardens. It is, indeed, hereditary among the Townsends; a love for gardens runs in our family just as a love for gin runs in less favoured races. It is with us an irresistible passion. The very founder of our family—one Adam, whom you may have heard of,—was a gardener. Owing to the unfortunate loss of his position, the family since then has sunken somewhat in the world; but time and poverty alike have proven powerless against our horticultural tastes and botanical inclinations. And then," cried I, with a flourish, "and then, what follows logically?"

"Why, if you are not more careful," she languidly made answer, "I am afraid that, owing to the laws of gravitation, a broken neck is what follows logically."

"You are a rogue," I commented, in my soul, "and I like you all the better for it."

Aloud, I stated: "What follows is that we can no more keep away from a creditable sort of garden than a moth can from a lighted candle. Consider, then, my position. Here am I on one side of the wall, and with my peach-tree, to be sure—but on the other side is one of the most famous masterpieces of formal gardening in the whole country. Am I to blame if I succumb to the temptation? Surely not," I argued; "for surely to any fair-minded person it will be at once apparent that I am brought to my present very uncomfortable position upon the points of these very humpy iron spikes by a simple combination of atavism and injustice,—atavism because hereditary inclination draws me irresistibly to the top of the wall, and injustice because Miss Hugonin's perfectly unreasonable refusal to admit visitors prevents my coming any farther. Surely, that is at once apparent?"