And what I wrote in those last five chapters of my book was so good that in common decency I was compelled to alter the preceding twenty-nine and bring them a bit nearer to Bettie's standard. For I was utilising Bettie's ideas. She did not have the knack of putting them on paper; that was my trivial part, as I now recognised with a sort of scared reverence.

"Of course, though, you had to meddle," I would scold at her. "I had meant the infernal thing to be a salable book. To-day it is just a stenographic report of how these people elected to behave. I haven't anything to do with it. I wash my hands of it. I consider you, in fine, a cormorant, a conscienceless marauder, a meddlesome Mattie, and a born dramatist."

"But, it's much better than anything you've ever done, Robin—"

"That is what I'm grumbling about. I consider it very unfeeling of you to write better novels than I do," I retorted. "But, oh, how good that scene is!" I said, a little later.

"Let's see—'For you, dear clean-souled girl, were born to be the wife of a strong man, and the mother of his dirty children'—no, it's 'sturdy', but then you hardly ever cross your T's. And where he goes on to tell her he can't marry her, because he is artistic, and she is too practical for them to be real mates, and all that other feeble-mindedness? Dear me, did I forget to tell you we were going to cut that out?"

"But I particularly like that part—"

"Do you?" said Bettie, as her pen scrunched vicious lines through it. Then she said: "I only hope she had the civility and self-control not to laugh until you had gone away. And 'We irrelevant folk that design all useless and beautiful things,' indeed! No, I couldn't have blamed her if she laughed right out. I wonder if you will never understand that what you take to be your love for beautiful things is really just a dislike of ugly ones? Oh, I've no patience with you! And wanting to print it in a book, too, instead of being content to make yourself ridiculous in tete-a-tetes with minxes that don't especially matter!"

"Well—! Anyhow, I agree with you that, thanks to your editing and carping and general scurrility, this book is going to be," I meekly stated, "a little better than The Apostates and not just 'pretty much like any other book'."

"Do you know that's just what I was thinking," said Bettie, dolefully. She clasped both hands behind her crinkly small black head, and in that queer habitual pose appraised me, from between her elbows, in that way which always made me feel I had better be careful. "Damn you!" was her verdict.

"Whence this unmaidenliness?" I queried, with due horror.