"And have you ever noticed, Mademoiselle Neroni, that every one of us is several people? In consequence I must confess to have been wondering—?"
"Well! I wasn't. You won't believe it now, perhaps. And it doesn't matter, anyhow." Her grave voice lifted and upon a sudden was changed. "Bobbie, when you had gone I couldn't stand it! I couldn't let you ruin your life for me, but I could not go on as I had done before—Oh, well, you'll never understand," she added, wearily. "But Von Anspach had always wanted me to go with him. So I wrote to him, at the Embassy. And after all, what is the good of talking—now!"
We two were curiously quiet. "No, I suppose there is no good in talking now." We stood there, as yet, hand in hand. The mirror was candid. "Oh, Signorina, I want to laugh as God laughs, and I cannot!"
3
But I lack the heart to set down all that brief and dreary talk of ours. How does it matter what we said? We two at least knew, even as we talked, that all we said meant in the outcome, nothing. Yet we talked awhile and spoke, I think, quite honestly.
She was not unhappy; and there were inbred Lichfeldian traditions which prompted me to virtuous indignation over her defects in remorse and misery. There were my memories, too.
"I don't sing very well, of course, but then I'm not dependent on my singing, you know. Oh, why not be truthful? And Von Anspach always sees to it I get the tendered of criticism—in print. And, moreover, I've a deal put by. I'm a miser, he says, and I suppose I am, because I know what it is to be poor. So when the rainy day comes—as of course it will,—I'll have quite enough to purchase a serviceable umbrella. Meanwhile, I have pretty much everything I want. People talk of course, but it is only on the stage they ever drive you out into a snow-storm. Besides, they don't talk to me."
In fine, I found that the Neroni was a very different being from Miss
Montmorenci….
4
Then I left her. I had not any inclination just now to pursue my fair Elena. Rather I sat alone in my new bedroom, thinking, confusedly, first of Amelia Van Orden, and how I danced with her a good eight years ago; of that woman who had come to me in remote Fairhaven, coming through the world's gutter, unsullied,—because that much I yet believe, although I do not know…. She may have been always the same, even in the old days when Lichfield thought her "fast," and she was more or less "compromised,"—and years before I met her, a blind, inexperienced boy. Only she may then have been a better actress than I suspected…. I thought, in any event, of those execrable rhymes that likened her to the Lady in Comus, moving serene and unafraid among a rabble of threatening bestial shapes; and I thought of the woman who would, by this time, be with Von Anspach.