small mouth. The lips were rather full than otherwise; one saw in them
potentialities of heroic passion, and tenderness, and generosity, and,
if you will, temper. No, her mouth was not in the least like the pink
shoe-button of romance and sugared portraiture; it was manifestly
designed less for simpering out of a gilt frame or the dribbling of
stock phrases over three hundred pages than for gibes and laughter
and cheery gossip and honest, unromantic eating, as well as another
purpose, which, as a highly dangerous topic, I decline even to
mention.
There you have the best description of Margaret Hugonin that I am