The man Colonel Musgrave found there was big and loose-jointed, with traces of puffiness about his face. He had wheat-colored hair and weakish-looking, pale blue eyes. One of his arms was about Miss Stapylton, but he released her now, and blinked at Rudolph Musgrave.
"And who are you, pray?" he demanded, querulously. "What do you want, anyhow? What do you mean by sneakin' in here and tappin' on a fellow's shoulder—like a damn' woodpecker, by Jove! I don't know you."
There was in Colonel Musgrave's voice a curious tremor, when he spoke; but to the eye he was unruffled, even faintly amused.
"I am the owner of this garden," he enunciated, with leisurely distinctness, "and it is not my custom to permit gentlewomen to be insulted in it. So I am afraid I must ask you to leave it."
"Now, see here," the man blustered, weakly, "we don't want any heroics, you know. See here, you're her cousin, ain't you? By God, I'll leave it to you, you know! She's treated me badly, don't you understand. She's a jilt, you know. She's playin' fast and loose——"
He never got any further, for at this point Rudolph Musgrave took him by the coat-collar and half-dragged, half-pushed him through the garden, shaking him occasionally with a quiet emphasis. The colonel was angry, and it was a matter of utter indifference to him that they were trampling over flower-beds, and leaving havoc in their rear.
But when they had reached the side-entrance, he paused and opened it, and then shoved his companion into an open field, where a number of cows, fresh from the evening milking, regarded them with incurious eyes. It was very quiet here, save for the occasional jangle of the cow-bells and the far-off fifing of frogs in the marsh below.
"It would have been impossible, of course," said Colonel Musgrave, "for me to have offered you any personal violence as long as you were, in a manner, a guest of mine. This field, however, is the property of Judge Willoughby, and here I feel at liberty to thrash you."
Then he thrashed the man who had annoyed Patricia Stapylton.
That thrashing was, in its way, a masterpiece. There was a certain conscientiousness about it, a certain thoroughness of execution—a certain plodding and painstaking carefulness, in a word, such as is possible only to those who have spent years in guiding fat-witted tourists among the antiquities of the Lichfield Historical Association.