The musical instruments consisted of two drums, or rather two hollow logs of wood, from which some varied notes were produced, by beating on them with two sticks. It did not, however, appear to me, that the dancers were much assisted or directed by these sounds, but by a chorus of vocal music, in which all the performers joined at the same time. Their song was not destitute of pleasing melody; and all their corresponding motions were executed with so much skill, that the numerous body of dancers seemed to act, as if they were one great machine. It was the opinion of every one of us, that such a performance would have met with universal applause on a European theatre; and it so far exceeded any attempt we had made to entertain them, that they seemed to picque themselves upon the superiority they had over us. As to our musical instruments, they held none of them in the least esteem, except the drum; and even that they did not think equal to their own. Our French horns in particular, seemed to be held in great contempt; for neither here, nor at any other of the islands, would they pay the smallest attention to them.
In order to give them a more favourable opinion of English amusements, and to leave their minds fully impressed with the deepest sense of our superior attainments, I directed some fireworks to be got ready; and, after it was dark, played them off in the presence of Feenou, the other chiefs, and a vast concourse of their people. Some of the preparations we found damaged; but others of them were in excellent order, and succeeded so perfectly, as to answer the end I had in view. Our water and sky-rockets, in particular, pleased and astonished them beyond all conception; and the scale was now turned in our favour.
This, however, seemed only to furnish them with an additional motive to proceed to fresh exertions of their very singular dexterity; and our fireworks were no sooner ended, than a succession of dances, which Feenou had got ready for our entertainment, began. As[[180]] a prelude to them, a band of music, or chorus of eighteen men, seated themselves before us, in the centre of the circle, composed by the numerous spectators, the area of which was to be the scene of the exhibitions. Four or five of this band, had pieces of large bamboo, from three to five or six feet long, each managed by one man, who held it nearly in a vertical position, the upper end open, but the other end closed by one of the joints. With this close end, the performers kept constantly striking the ground, though slowly, thus producing different notes, according to the different lengths of the instruments, but all of them of the hollow or base sort; to counteract which, a person kept striking quickly, and with two sticks, a piece of the same substance, split, and laid along the ground, and, by that means, furnishing a tone as acute as those produced by the others were grave. The rest of the band, as well as those who performed upon the bamboos, sung a slow and soft air, which so tempted the harsher notes of the above instruments, that no bye-stander, however accustomed to hear the most perfect and varied modulation of sweet sounds, could avoid confessing the vast power, and pleasing effect, of this simple harmony.
The concert having continued about a quarter of an hour, twenty women entered the circle. Most of them had, upon their heads, garlands of the crimson flowers of the China rose, or others; and many of them had ornamented their persons with leaves of trees, cut with a great deal of nicety about the edges. They made a circle round the chorus, turning their faces toward it, and began by singing a soft air, to which responses were made by the chorus in the same tone; and these were repeated alternately. All this while, the women accompanied their song with several very graceful motions of their hands toward their faces, and in other directions at the same time, making constantly a step forward, and then back again, with one foot, while the other was fixed. They then turned their faces to the assembly, sung some time, and retreated slowly in a body, to that part of the circle which was opposite the hut where the principal spectators sat. After this, one of them advanced from each side, meeting and passing each other in the front, and continuing their progress round, till they came to the rest. On which two advanced from each side, two of whom also passed each other, and returned as the former; but the other two remained, and to these came one from each side, by intervals, till the whole number had again formed a circle about the chorus.
Their manner of dancing was now changed to a quicker measure, in which they made a kind of half turn by leaping, and clapped their hands, and snapped their fingers, repeating some words in conjunction with the chorus. Toward the end, as the quickness of the music increased, their gestures and attitudes were varied with wonderful vigour and dexterity; and some of their motions, perhaps, would, with us, be reckoned rather indecent. Though this part of the performance, most probably, was not meant to convey any wanton ideas, but merely to display the astonishing variety of their movements.
To this grand female ballet, succeeded one performed by fifteen men. Some of them were old; but their age seemed to have abated little of their agility or ardour for the dance. They were disposed in a sort of circle, divided at the front, with their faces not turned out toward the assembly, nor inward to the chorus; but one half of their circle faced forward as they had advanced, and the other half in a contrary direction. They sometimes sung slowly, in concert with the chorus; and, while thus employed, they also made several very fine motions with their hands, but different from those made by the women, at the same time inclining the body to either side alternately, by raising one leg, which was stretched outward, and resting on the other; the arm of the same side being also stretched fully upward. At other times, they recited sentences in a musical tone, which were answered by the chorus; and, at intervals, increased the measure of the dance, by clapping the hands, and quickening the motions of the feet, which, however, were never varied. At the end, the rapidity of the music, and of the dancing, increased so much, that it was scarcely possible to distinguish the different movements; though one might suppose the actors were now almost tired, as their performance had lasted near half an hour.
After a considerable interval, another act as we may call it, began. Twelve men now advanced, who placed themselves in double rows fronting each other, but on opposite sides of the circle; and, on one side a man was stationed, who, as if he had been a prompter, repeated several sentences, to which the twelve new performers, and the chorus, replied. They then sung slowly; and afterward danced and sung more quickly, for about a quarter of an hour, after the manner of the dancers whom they had succeeded.
Soon after they had finished, nine women exhibited themselves, and sat down fronting the hut where the chief was. A man then rose, and struck the first of these women on the back, with both fists joined. He proceeded, in the same manner, to the second and third; but when he came to the fourth, whether from accident or design I cannot tell, instead of the back, he struck her on the breast. Upon this, a person rose instantly from the crowd, who brought him to the ground with a blow on the head; and he was carried off without the least noise or disorder. But this did not save the other five women from so odd a discipline, or perhaps necessary ceremony; for a person succeeded him, who treated them in the same manner. Their disgrace did not end here; for when they danced, they had the mortification to find their performance, twice disapproved of, and were obliged to repeat it. This dance did not differ much from that of the first women, except in this one circumstance, that the present set, sometimes raised the body upon one leg, by a sort of double motion, and then upon the other alternately, in which attitude they kept snapping their fingers; and, at the end, they repeated, with great agility, the brisk movements, in which the former group of female dancers had shown themselves so expert.
In a little time, a person entered unexpectedly, and said something in a ludicrous way, about the fireworks that had been exhibited, which extorted a burst of laughter from the multitude. After this, we had a dance composed of the men who attended or had followed Feenou. They formed a double circle (i. e. one within another) of twenty-four each, round the chorus, and began a gentle soothing song, with corresponding motions of the hands and head. This lasted a considerable time, and then changed to a much quicker measure, during which they repeated sentences, either in conjunction with the chorus, or in answer to some spoken by that band. They then retreated to the back part of the circle, as the women had done, and again advanced, on each side, in a triple row, till they formed a semicircle, which was done very slowly, by inclining the body on one leg, and advancing the other a little way, as they put it down. They accompanied this, with such a soft air as they had sung at the beginning; but soon changed it to repeat sentences in a harsher tone, at the same time quickening the dance very much, till they finished with a general shout and clap of the hands. The same was repeated several times; but, at last, they formed a double circle, as at the beginning, danced, and repeated very quickly, and finally closed with several very dexterous transpositions of the two circles.
The entertainments of this memorable night concluded with a dance, in which the principal people present exhibited. It resembled the immediately preceding one, in some respects, having the same number of performers, who began nearly in the same way; but their ending, at each interval, was different. For they increased their motions to a prodigious quickness, shaking their heads from shoulder to shoulder, with such force, that a spectator, unaccustomed to the sight, would suppose, that they ran a risk of dislocating their necks. This was attended with a smart clapping of the hands, and a kind of savage holla, or shriek, not unlike what is sometimes practised in the comic dances on our European theatres. They formed the triple semi-circle, as the preceding dancers had done; and a person who advanced at the head on one side of the semi-circle, began by repeating something in a truly musical recitative, which was delivered with an air so graceful, as might put to the blush our most applauded performers. He was answered in the same manner, by the person at the head of the opposite party. This being repeated several times, the whole body on one side joined in the responses to the whole corresponding body on the opposite side, as the semi-circle advanced to the front; and they finished, by singing and dancing as they had begun.