that is quite in keeping with the character of the place, and as you pass along you marvel at the plenteous store of ponderous folios and goodly quartos, in their plain sober bindings, that are ranged on either side, and you reflect upon the world of thought and the profundity of learning gathered together, until the mind becomes impressed with a feeling of reverence for the mighty spirits whose noblest works are here enshrined.
Until late years this gloomy corridor was at once a library and museum. High up on the ceiling, on the tops of the bookcases and in the window recesses, were displayed a formidable array of sights and monsters, as varied and grotesque as those which appalled the heart of the Trojan prince in his descent to hell—skeletons, snakes, alligators, to say nothing of the “hairy man,” and such minor marvels as Queen Elizabeth’s shoe, Oliver Cromwell’s sword,
An th’ clog fair crackt by thunner-bowt,
An th’ woman noather lawmt nor nowt.
Formerly, at Easter and other festivals, crowds of gaping holiday folk thronged the College, and gazed with vacant wonderment at the incongruous collection, while the blue-coated cicerones, to the discomfort of the readers, in sonorous tones bawled out the names of the trophies displayed, concluding their catalogue with an account of the wondrous wooden cock that is said (and truly) to crow when it smells roast beef. But the quietude is no longer broken by these inharmonious chantings—the strange collection has been transferred to a more fitting home, and the scholar may now store his mind with “the physic of the soul” and hold pleasant intercourse with antiquity without being rudely recalled to the consciousness of the present by such startling incongruities.
At the end of the corridor a heavy oaken door admits you to the reading-room, a large square antique chamber, with arched ceiling and panelled walls, and a deeply-recessed oriel opposite the door, that by the very cosiness of its appearance lures you to stay and drink “at the pure well of English undefiled.” In the window lighting this pleasant secluded nook is a shield on which the arms of the benevolent Chetham are depicted in coloured glass—arms that gave him much trouble to obtain, and the cost of which led him to facetiously remark that they were not depicted in such good metal as that in which payment for them was made, to which Lightbowne, his attorney, assented, sagely observing, “there is soe much difference betwixt Paynter’s Gould and Current Coyne,” a conclusion the correctness of which we will not stay to dispute. No doubt it was the thought that he had “paid for his whistle” that led the careful old merchant to adopt the suggestive motto, “Quod tuum tene.” The furniture corresponds with the ancient character of the room. In one corner is a carved oak buffet of ancient date, with a raised inscription, setting forth that it was the gift of Humphrey Chetham. There are ponderous chairs, with leather-padded backs, studded with brass nails; and still more ponderous tables, one of which we are gravely assured contains as many pieces as there are days in the year. Over the fireplace, surmounted by his coat of arms, is a portrait of the grave-visaged but large-hearted founder, with pillars on each side, resting on books, and crowned with antique lamps, suggestive of the founder’s desire to diffuse wisdom and happiness by the light of knowledge; and, flanking them, on one side is a pelican feeding its young with its own blood, and on the other the veritable wooden cock already mentioned; antique mirrors are affixed to the panelling; and dingy-looking portraits of Lancashire worthies gaze at you from the walls—Nowell and Whitaker, and Bolton and Bradford, with men who have reflected lustre upon the county in more recent times, not the least interesting being the two portraits lately added of the venerable president of the Chetham Society, and that indefatigable bibliopole, the late librarian, Mr. Jones.
On the ground floor, beneath the reading-room, is an apartment of corresponding dimensions, which at present more especially claims our attention. It is commonly known as the Feoffees’ room; but in bygone days it was appropriated to the use of the wardens of the College. It is a large, square, sombre-looking chamber, with a projecting oriel at one end, and small pointed windows, with deep sills and latticed panes, that, if they do not altogether “exclude the light,” are yet sufficiently dim to “make a noonday night.” As you cross the threshold your footsteps echo on the hard oak floor—all else is still and silent. A staid cloistered gloom, and a quiet, half monastic air pervades the place that carries your fancies back to mediæval times. The walls for a considerable height are covered with black oak wainscotting, surrounded by a plaster frieze enriched with arabesque work. The ceiling is divided into compartments by deeply-moulded beams and rafters that cross and recross each other in a variety of ways, all curiously wrought, and ornamented at the intersections with carvings of fabulous creatures and grotesque faces. On one of the bosses is a grim-visaged head, depicted as in the act of devouring a child, which tradition affirms is none other than that of the giant Tarquin, who held threescore and four of King Arthur’s knights in thraldom in his castle at Knot Mill, and was afterwards himself there slain by the valorous Sir Lancelot of the Lake, who cut off his head and set the captives free; all which forms a very pretty story, though we are more inclined to believe that the mediæval sculptor, thinking little and caring less for Tarquin or the Arthurian knights, merely copied the model of some pagan mason, and reproduced the burlesque figure of Saturn eating one of his own children.[22] On one side of the room is a broad fireplace, with the armorial ensigns of one of the Tudor sovereigns behind, and those of the benevolent Chetham on the frieze above. The whole of the furniture is in character with the place—quaint, old-fashioned, and substantial. Shining tall-backed chairs are disposed around the room, and in the centre is a broad table of such massiveness as almost to defy the efforts of muscular power to remove it.
A special interest attaches to this sombre-looking chamber from the circumstance that tradition has associated it with the name of Dr. Dee, the “Wizard Warden” of Manchester, and that here Roby has laid the scene of one of his most entertaining Lancashire Legends. In this “vaulted room of gramarye,” it is said, our English “Faust” had his