In 1846, just twelve years after his entrance into the house, his clerkship came to an end, and he became a partner in the establishment, the style of the firm being Ticknor & Fields. He took an active share in the business; and while full credit must be given to Mr. Ticknor for the extraordinary success which the firm enjoyed, it can not be denied that Mr. Fields' share in this work was very great, and fully equal to that of his partner. His acknowledged literary abilities won him friends among the most gifted writers of the country, and these naturally sought his assistance in presenting their works to the world. Their friendship induced an intelligent confidence in his literary taste and mercantile integrity, and it was a decided gain for them to secure one so generally esteemed and trusted as their publisher. Young writers, still struggling for fame, felt that in submitting their works to his inspection they would receive the patient examination of not only a conscientious reader, but of one whose own literary abilities rendered him unusually competent for the task. The public generally learned to share this confidence in his literary judgment. And so it came to pass that the imprint of Ticknor & Fields was universally accepted as a sufficient guarantee of the excellence of any book, and rarely failed to insure its success. Naturally, the house was proud of this confidence, and it is pleasant to record that they have never abused it. There is, perhaps, no other publishing firm in the Union whose catalogue is so free from objectionable or worthless publications as that issued by this house.

Gradually Messrs. Ticknor & Fields became the recognized publishers of a large number of the leading writers of this country and of Great Britain. In their catalogue we find the names of Longfellow, Bryant, Whittier, Holmes, Aldrich, Agassiz, Beecher, Alice Gary, Cummins, Dana, Emerson, Hawthorne, Gail Hamilton, Lowell, Parton, Saxe, Sprague, Stowe, Bayard Taylor, Thoreau, and Tuckerman, in American literature; and in English literature, the names of Browning, Dickens, George Eliot, Mrs. Jameson, Kingsley, Owen Meredith, Charles Reade, and Tennyson. With their English authors they maintain the pleasantest relations, recognizing their moral right to their works, and paying them a fair royalty upon the sales of their books. Of their relations with their American authors, a popular periodical says:

"There are no business men more honorable or generous than the publishers of the United States, and especially honorable and considerate toward authors. The relation usually existing between author and publisher in the United States is that of a warm and lasting friendship, such as now animates and dignifies the intercourse between the literary men of New England and Messrs. Ticknor & Fields.... The relation, too, is one of a singular mutual trustfulness. The author receives his semi-annual account from the publisher with as ablute a faith in its correctness as though he had himself counted the volumes sold."

In 1865, the firm removed from the old corner stand to a new and elegant establishment on Tremont Street, near the Common, and in the same year Mr. Howard Ticknor, who had succeeded his father in the business, withdrew from it. New partners were admitted, and the style of the firm became Fields, Osgood & Co., Mr. Fields still remaining at the head of the house.

The new book store is one of the handsomest and most attractive in the country. The store proper is eighty feet deep by fifty feet wide, and is fitted up handsomely in hard wood.

There is no paint about it, every piece of wood in use presenting its natural appearance. On the right in entering are the book shelves and counters, and on the opposite side the desks devoted to the magazine department. At the rear are the counting rooms and the private office of Mr. J.R. Osgood, the active business man of the concern. The second story is elegantly and tastefully fitted up. It contains the luxurious private office of Mr. Fields, in which are to be seen excellent likenesses of his two dearest friends, Longfellow and Dickens; and the parlor of the establishment, which is known as the Author's Room. This is a spacious and handsomely-appointed room, whose windows, overlooking the Common, command one of the prettiest views in New England. It is supplied with the leading periodicals of the day, and choice volumes of current literature. Here one may always find one or more of the "gifted few," whose names are familiar to the reader; and frequent reunions of the book-making fraternity are designed to be held here, under the genial auspices of the literary partner of the house.

It is not often that men win success in both literature and mercantile life. Good authors have usually made very poor business managers, and vice versa; but the subject of this memoir, besides winning a great success as a merchant, and that in one of the most hazardous branches of mercantile life, has also won an enviable reputation as a man of letters. His poems have made him well known, both in this country and in England. Besides the poems recited before various literary associations, he has published two volumes of fugitive pieces. The first appeared in 1843, while he was still a clerk, and the second in 1858. His poems abound in humor, pathos, and a delicate, beautiful fancy. One of his friends has said of him:

"Little of the sad travail of the historic poet has Mr. Fields known. Of the emaciated face, the seedy garment, the collapsed purse, the dog-eared and often rejected manuscript, he has never known, save from well-authenticated tradition. His muse was born in sunshine, and has only been sprinkled with the tears of affection. Every effort has been cheered to the echo, and it is impossible for so genial a fellow to fail of an ample and approving audience for whatever may fall from his lip or pen."

The following lines, from his second volume, will serve as a specimen of the "homely beauty" of Mr. Fields' muse, though it hardly sets forth all his powers:

She came among the gathering crowd