The house was built by Mr. Samuel N. Pike for an Opera House. It was not successful, and was sold by him to the late Colonel James Fisk, Jr., for $1,000,000, a slight advance upon its cost.
Wallack’s Theatre, at the northeast corner of Broadway and Thirteenth street, is, par eminence, the theatre of New York. Its audiences are more exclusively composed of citizens than those of any other house. New Yorkers are proud of it, and on Thursday evenings, or the first night of some new play, the audience will consist almost entirely of city people. The theatre itself is very plain, and there are many things about it that might be bettered. In other respects it is unqualifiedly the best theatre in which the English language is spoken. It is devoted almost entirely to comedy, and the plays presented on its stage are always of a high character. The Star system is not adopted here, but the company consists of the best and most carefully trained actors and actresses to be found here or in England. It is emphatically a company of gentlemen and ladies. At present it includes Lester Wallack, the proprietor, John Brougham, Charles Mathews, John Gilbert, Charles Fisher, and J. H. Stoddart, and Mrs. Jennings, Miss Plessy Mordaunt, Miss Effie Germon, and Mrs. John Sefton. Mr. Wallack is very proud of his theatre, and with good reason. He has made it the best in the country, and a model for the best establishments in other cities. The greatest care is taken in the production of plays, and every detail is presented to the audience with a degree of
perfection which other managers vainly strive to attain. The scenery is exquisite and natural, the dresses are perfect—the toilettes of the ladies being famed for their elegance, and the acting is true to nature. There is no ranting, no straining for effect here. The members of the company talk and act like men and women of the world, and faithfully “hold the mirror up to nature.” It is a common saying in New York that even a mean play will be a success at Wallack’s. It will be so well put on the stage, and so perfectly performed by the company, that the most critical audience will be disarmed.
The Fifth Avenue Theatre, on Twenty-fourth street, in the rear of the Fifth Avenue Hotel, is next to Wallack’s in popular favor. It is very much such an establishment in the character and excellence of its performances. It possesses a first-class company of ladies and gentlemen, some of whom have achieved national reputations, and all of whom are worthy of the highest praise. The theatre itself is a handsome marble edifice, not very large, but of very attractive appearance. The interior is bright and cheerful. The ceiling is finely frescoed, the walls are panelled with large plate-glass mirrors, and the general effect is very brilliant. The building was owned by the late Col. James Fisk, Jr. The manager is Mr. Augustin Daly, a well-known writer of successful plays. To his literary gifts Mr. Daly adds a high order of managerial talent, and it is to his efforts exclusively that the very marked success of the theatre is due.
The Academy of Music is, as its name indicates, the Opera House of New York. It is a gloomy-looking structure without, but possesses a magnificent auditorium, fitted up in the style of the European Opera Houses. Its decorations are in crimson and gold, and are magnificent and tasteful. It is the largest theatre in the city, and one of the largest in the world. It is opened occasionally during the winter for operatic performances. The audiences to be seen here are always in full dress, and the toilettes of the ladies, to say nothing of the beauty of many of the fair ones, offer a great attraction to sight-seers.
Niblo’s Theatre, or as it is generally called, “Niblo’s Garden,”
is situated in the rear of the Metropolitan Hotel, with an entrance on Broadway. It is one of the largest and handsomest theatres in the city, and by far the coolest in warm weather. It is devoted principally to the spectacular drama. It was here that the famous spectacle of the Black Crook was produced. Its revival is to take place before these pages are in print, and it will probably be continued throughout the remainder of the season.
The Olympic is a large, old-fashioned theatre, on Broadway, between Houston and Bleecker streets. It is devoted to pantomime, and is famous as the headquarters of the erratic genius who calls himself Humpty Dumpty.
The Old Bowery Theatre, situated on the thoroughfare from which it takes its name, below Canal street, is the only old theatre left standing in the city. Three theatres have preceded it on this site, and all have been destroyed by fire. Within the last few years, the interior of the present theatre has been greatly modernized. The plays presented here are of a character peculiarly suited to that order of genius which despises Shakspeare, and hopes to be one day capable of appreciating the Black