"Looking around, we see, perhaps, twenty females, in various styles of dress—some in Turkish costume (supposed to be houris no doubt); others attired as Spanish peasants; and others still in plain evening attire. The latter are for the most part far from possessing charms, and, from their looks, have long since outlived their beauty; but what they lack in this respect they make up in others. The girl that waited upon us on our entrance, again approaches, and seeing our glasses empty, takes them away to be replenished. She soon reappears, and in response to our invitation, takes a seat beside us, while we enter into conversation with her. She is a fair sample (excuse the mercantile term) of her class, and her history is a history of a majority of her associates. Not unprepossessing in appearance, by any means, Ellen— that, she tells us, is her name—is twenty-two years of age; was born in the village of Tarrytown; resided with her parents until she was eighteen, when her father died. Leaving her mother with her youngest brother, she came to New York to seek employment. On arriving in the city, she obtained a situation in a millinery store. Remained there but a short time; was out of work; had no friends, no money. Would not go back to her mother, who was poor. Saw an advertisement of Madame—for 'Pretty waiter girls.' Answered it. Was engaged in the saloon; seduced (partly by promises, and partly by threats), by one of the frequenters of the establishment—and has since led the life of a prostitute! Ellen told her story without the least emotion, and when asked about her mother, carelessly replied, 'She supposed the old woman was dead by this time.'
"Such are the effects of vice, and a life of infamy, upon the noble feelings and natural impulses of the female heart. With an exclamation of, 'Oh, there's my man!' our attendant suddenly left us, and joined an individual who had just entered the apartment, and we did not see her again.
"At a table nearly opposite to our own, are seated a couple, one, at least, of whom, to even a casual observer, is a stranger to the place and its surroundings; there is no doubt of it. Wholly enwrapped in the beauty and grace of his female companion, he is totally oblivious to all passing around. She is exerting all her arts to entice 'greeny' into her net, and before long will be counting the amount of his cash— while he, her dupe, will be, too late, reflecting upon the depravity of pretty waiter girls. By this time the saloon is crowded with men and women, of all degrees of social standing. Here is the man about-town, the hanger-round of the hotels, in clothes of unexceptionable cut and make, talking earnestly with a female, whose drawn veil conceals her face—perhaps some unfortunate victim of his lust, or probably his mistress, come to plead for justice, or for her week's allowance of money. Yonder is a youth, of, as Sylvanus Cobb, Jr., would say, 'some eighteen summers,' young in years, but old in sin, who supports on his knee a nymph du pave, with whom he has entered from the street, and upon whom he is spending his last quarter's salary, or the proceeds of an investigation into the till of his employer. In that corner, is the returned soldier, who has just been paid off, and who is now expending the hard-earned pittance of the government upon some bepainted and bedizened courtesan, while perhaps his wife and family are suffering for want of the common necessaries of life. A cry of pain, followed by a burst of brutal laughter, causes us to turn our eyes to the corner, just in time to witness a woman fall to the ground, felled by a blow from the clenched fist of the brute with whom she has been quarrelling. A moment, there is silence in the hall; but only for a moment. The girl is picked up by one of her companions—a few rough jokes at her expense—and all goes on as before. Such scenes are of too frequent occurrence to provoke comment. Observe that couple descending the steps; a handsome, almost noble-looking man, but upon whose countenance is stamped the mark of a dissolute life—upon his arm, a female, her face hidden from view by a dark veil. They advance to the bar. The gentleman whispers a word in the ear of one of the girls, a meaning smile flickers over her face as she hands him a key, with which he opens a door in the end of the room, and disappears with the female. Reader, you have seen half a dozen similar couples arrive and vanish through the same door. Do you know the why and wherefore of this proceeding? This saloon is one of the most notorious assignation houses in New York. We might go on and notice more fully the various personages and scenes, constantly varying, in this house; but we have neither space or time at present—besides, the task is not an agreeable one. So, let us leave the murky atmosphere of the 'crib,' and once more breathe the pure air of heaven."
Bad as they are, the concert saloons of Broadway are the best in the city. Those of the Bowery, and Chatham street, are mere brothels, in which no man's life is safe.
Persons entering these places run a fearful risk. They voluntarily place themselves in the midst of a number of abandoned wretches, who are ready for any deed of violence or crime. They care for nothing but money, and will rob or kill for it. Respectable people have no business in such places. They are sure to have their pockets picked, and are in danger of violence. Many men, who leave their happy homes in the morning, visit these places, for amusement or through curiosity, at night. They are drugged, robbed, murdered, and then the harbor police may find their lifeless forms floating in the river at daybreak.
CHAPTER XXXV.
DANCE-HOUSES.
THESE houses differ from the saloons in two things—they are lower and viler, and their guests assemble for the purpose of dancing as well as drinking. They are owned chiefly by men, though there are some which are the property of and are managed by women. They are located in the worst quarters of the city, generally in the streets near the East and North Rivers, in order to be easy of access to the sailors.
The buildings are greatly out of repair, and have a rickety, dirty appearance. The main entrance leads to a long, narrow hall, the floor of which is well sanded. The walls ornamented with flashy prints, and the ceiling with colored tissue paper cut in various fantastic shapes. There is a bar at the farther end of the room, which is well stocked with the meanest liquors, and chairs and benches are scattered about.
From five to a dozen women, so bloated and horrible to look upon, that a decent man shudders with disgust as he beholds them, are lounging about the room. They have reached the last step in the downward career of fallen women, and will never leave this place until they are carried from it to their graves, which are not far distant. They are miserably clad, and are nearly always half crazy with liquor. They are cursed and kicked about by the brutal owner of the place, and suffer still greater violence, at times, in the drunken brawls for which these houses are famous. Their sleeping rooms are above. They are sought by sailors and by the lowest and most degraded of the city population. They are the slaves of their masters. They have no money of their own. He claims a part of their infamous earnings, and demands the rest for board and clothes. Few have the courage to fly from these hells, and if they make the attempt, they are forced back by the proprietor, who is frequently aided in this unholy act by the law of the land. They can not go into the streets naked, and he claims the clothes on their backs as his property. If they leave the premises with these clothes on, he charges them with theft.