After this Michael Angelo led them to what was once the finest mansion of the city, now known as the Villa of Diomede. They entered here, and wandered through the halls, and rooms, and courtyards. They saw rich mosaic pavements; the basins of what once were fountains; the lower parts of marble pillars that once belonged to stately colonnades. They saw some rooms that once had been used for cold baths, and others that had been used for vapor baths. Dining-rooms, reception-rooms, bed-rooms, kitchens, libraries, opened up all around, and told them of that vanished past which had once peopled all these apartments with busy human life. Far more than basilicas, or temples, or streets, or walls, were they affected by this glimpse into the home of a household; and they traversed that deserted home in eloquent silence. After going through all the house, they descended into the cellars. These were very spacious, and extended beneath the entire villa. Here, at one end, they saw what is called the Wine Cellar. Many wine jars were standing there—huge earthen vessels, as large as a hogshead, with wide mouths and round bottoms, which made it impossible for them to stand erect, unless they were placed against some support. In these wine jars there was now no wine, however, but only dust and ashes.

Here Michael Angelo had much to tell them.

He told them that several skeletons had been found in these vaults, belonging to hapless wretches who had, no doubt, fled here to escape the storm of ashes which was raging above. One of these skeletons had a bunch of keys in its bony fingers; and this circumstance led some to suppose that it was the skeleton of Diomede himself; but others thought that it belonged to his steward. Whoever he was, he had fled here only to meet his doom, and to leave his bones as a memorial to ages in the far distant future.

Leaving this place, they visited another house, which is called the Villa of Caius Sallust. At one corner of the house they saw something which at once struck them all as being rather singular. It was nothing else than a shop, small in size, fitted up with shelves and counters; a row of jars was fixed on one side, and in the rear were furnaces. Michael Angelo informed them that it had once been an eating-house. The boys thought it excessively odd that the occupants of such a house—people, too, who bore such a name as Sallust—should tolerate such an establishment; but there was the undeniable fact before their eyes. Afterwards their surprises diminished; For in many other houses in Pompeii—they found shops of the same kind, and saw that the ancient Pompeians were not above trade; and that, if they did not keep the shops themselves, they were at least very willing to hire the fronts of their houses to other parties who did wish to do so. In Sallust's house they saw the traces of very elegant ornaments, and learned from Michael Angelo that many of the articles discovered here showed that it must once have been the abode of a luxurious and refined family.

The elegant house of the Dioscuri was visited next. It is in the Via dei Mercurii, and is a very interesting and extensive ruin, and contains some handsome fresco paintings. After this they visited many other houses, a description of which is not necessary; they were all like the Villa of Diomede, though less interesting; and among them all there was the same general character. In all these only the lower stories remained, though in a few a small part of the second story was visible.

As the chief part of the Pompeian house was on the ground floor, the loss of the upper story did not make any particular difference. Among these they found another temple, called the Pantheon—a large edifice, which showed signs of great former beauty. It was two Hundred and thirty feet long, and nearly two hundred feet wide. An altar is still standing, around which are twelve pedestals, upon which once stood twelve statues. A few houses and temples followed, after which Michael Angelo informed them that he was about to take them to one of the greatest curiosities in the city.

The building to which he led them was in much better preservation than the majority of the edifices in Pompeii, though not nearly so large as many that they had seen. It was about sixty feet wide, and a little longer, being nearly square in shape, and was evidently a temple of some kind.

"What is this?" asked David.

"This is the Temple of Isis," said Michael Angelo.

"The Temple of Isis!" exclaimed David, in eager excitement. "Is it, indeed!" and he looked around with a face full of intense interest. Hitherto, though all the boys had shown much interest, yet, David had surpassed them all in his enthusiasm. This was partly on account of his taste for classical studies, and his love for all connected with classical antiquity, but more especially from the fact that he had very recently read Bulwer's Last Days of Pompeii; and on this occasion that whole story, with all its descriptions and all its incidents, was brought vividly before him by the surrounding scene. Most of all was the Temple of Isis associated with that story, and it seemed more familiar to him than anything else that he had found in the city. Glaucus and Ione, the Christian Olynthus, and the dark Arbaces seemed to haunt the place. In one of the chambers of this very temple, as Michael Angelo was now telling,—even while leading the way to that chamber,—had been found a huge skeleton, with an axe beside it; two walls had been beaten through by that axe, but the desperate fugitive could go no farther. In another part of the city had been found, another skeleton, carrying a bag of Coins and some ornaments of this Temple of Isis. David listened to Michael Angelo's account with strange interest, for it seemed to him as though the fabled characters of Bulwer's story were endowed with actual reality by Michael Angelo's prosaic statements.