The next verse:
"Pratt’s Cove it has the biggest clams
That ever mortal saw;
But when we hunt for clams again,
We mustn’t eat them raw.
CHorus.
"We mustn’t eat them raw, my friends;
We mustn’t swallow them raw.
O, clams are good for human food,
But we mustn’t eat them raw.”
This was sung energetically, yet in a dignified manner. The chorus was intended to convey a wholesome piece of advice to those who might happen to be in need of it,—Pat, for instance,—and so it was sung with dignity; at the same time, the energy with which it was rendered was admirably adapted to enforce the advice and carry it home to the heart and conscience of the hearer.
The next verse:
"We’ve got molasses for our food,
It came from Tri-ni-dad;
And when to candy it is boiled,
It really isn’t bad.
Chorus,
"It really isn’t bad, my friends;
It isn’t very bad.
Molasses, boiled, to candy turns,’
And really isn’t bad.”
A greater degree of liveliness prevailed here at the celebration of the only eatable thing among the stores. There was an intention to do honor to the molasses, and honor was accordingly done.
The next verse:
"Three cheers for Bogud, Billymack,
Three cheers for all the crew,—
For Jiggins, Sammy, Muclcle, Pat, .
And three for Johnny Blue!
Chorus.
Three cheers for Johnny Blue, my friends,
Three cheers for Johnny Blue,—
For Jiggins, Sammy, Muckle, Pat,
And three for Johnny Blue!”
Immense enthusiasm. Surprise on the part of all the boys whose names were thus so unexpectedly “wedded to song.” Recovering from their surprise, each one jumped up, placed his hand on his heart, and acknowledged the compliment by a low bow; after which the song was sung again; after which there came more bows; and it would have gone on thus, with alternate bowing and singing, till the present time, had not the boys themselves felt overpowered, and demanded another verse.
The next verse:
"Three cheers for all the boys on board;
For Corbet three times three;
And thirty more for the jolly black flag
Of the ‘B. O. W. C.’!
Chorus.
"The ‘B. O. W. C.’ my friends,
The ‘B. O. W. C.’
Ever so many more for the jolly black flag
Of the ‘ B. O. W. C.’!”
This last chorus was sung with a vehemence, an ardor, and an enthusiasm that are absolutely indescribable. It included all, and identified all, in the most delicate manner, with the “B. O. W. C.” It was sung over and over, and over yet again, accompanied with any quantity of cheers for everything under the sun. The special allusion to Corbet, in the last verse, elicited a fresh display of emotion from that venerable and highly-impressible party. He did not say much, however. He merely went round among the boys, and shook hands most warmly with all of them, one by one. He asked each one about his father, his mother, his brothers and sisters, and his uncles and aunts. He asked their full names, their ages, and the number of their blood relations. He then made a public address to them, in which he freely offered, at any time, to take any of them, or all of them, on a cruise anywhere, at a moment’s warning. Finally, he reiterated his offer to introduce his babby to them all. This formed a climax. Beyond this he could not go. And there, naturally and inevitably, his eloquent oration ended.
So passed the time. And when you take into consideration the solemn fact that all this time they were drifting, that the sea was smooth, that there wasn’t a breath of wind, that there was no prospect of getting home, or anywhere else, for that matter,—you will come to the conclusion that these boys were jolly under creditable circumstances. And you will be right in that conclusion; for it was in the very face of calms, strong tides, empty larders, wanderings at sea, famine, and privations of all kinds, that these boys stood up and sang their song.
In this sense it became not a mere song of jollity or of idle sport. It was more. It was the song of the unconquered soul. It was a defiance hurled full in the face of Fortune.