The Cryptogram: A Novel

by James De Mille

In the lower room that opened into the dining-room were three men on two beds, wounded, faint, and shivering with terror. These were the men that had been wounded at the first attack. In the anguish of their pain they made gestures of entreaty, of which Obed took no notice. Upstairs in the hall were those two whom he had stuck with his last shots. There were no others to be seen.

After finishing his search, Obed went up the road, and carried back the man whom he had shot. He then informed his family of the result. In the midst of their horror at this tragedy, and their joy at escaping from a terrible fate, they felt a certain pity for these sufferers, wretches though they were. Obed shared this feeling. His anger had all departed with the end of the fight. He lifted one by one the wounded wretches, putting them on the beds in the rooms when he had hired. Then he and his sister dressed their wounds. Thus the night ended, and the sun at last arose.

About two hours after sunrise it happened that a troop of papal gendarmerie came along. Obed stopped then, and calmly handed over the prisoners to their care. They seemed bewildered, but took charge of them, evidently not at all comprehending of the situation. An hour or so afterward the valet arrived with a fresh carriage, and after hearing Obed's story with wonder he was able to explain it to the soldiers.

Obed then set out for Rome, and, after some stay, came on to Florence.

Such was the substance of his story.

CHAPTER LXII.

THE VILLA.

There were many things in Obed Chute's narration which affected Lord Chetwynde profoundly. The story of that adventure in the Pontine Marshses had an interest for him which was greater than any that might be created by the magnificent prowess and indomitable pluck that had been exhibited on that occasion by the modest narrator. Beneath the careless and offhand recital of Obed Lord Chetwynde was able to perceive the full extent of the danger to which he had been exposed, and from which his own cool courage had saved him. An ordinary man, under such circumstances, would have basely yielded; or, if the presence of his family had inspired him with unusual courage, the courage would have been at best a sort of frenzy, at the impulse of which he might have devoted his own life to the love which he had for his family, and thrown that life away without saving them. But in Obed's quiet and unpretending narrative he recognized the presence of a heroic soul; one which in the midst of the most chivalrous, the most absolute, and the most devotion--in the midst of the most utter abnegation of self--could still maintain the serenest calm and the most complete presence of mind in the face of awful danger. Every point in that story produced an effect on the mind of the listener, and roused his fullest sympathy. He had before his eyes that memorable scene: Obed watching and smoking on his bed by the side of the door--the family sleeping peacefully in the ajoining room--the sound of footsteps, of violent knockings, of furious entrance, or wild and lawless mirth. He imagined the flight of the old man and his wife, who in terror, or perhaps through cunning and treachery, gave up their hotel and their guests to the fury of the brigands. He brought before his mind that long time of watchful waiting when Obed lay quietly yet vigilantly reclining on the bed, with his pipe in his mouth and his pistol in his pocket, listening to the sounds below, to see what they might foreshadow; whether they told of peace or of war, whether they announced the calm of a quiet night or the terrors of an assault made by fiends--by those Italian brigands whose name has become a horror, whose tendererst mercies are pitiless cruelty, and to fall into the hands of whom is the direst fate that man or woman may know.

One thought gave a horror to this narrative. Among the women in that room was the one who to him was infinitely dearer than any other on earth. And this danger had threatened her--a danger too horrible to think of--one which made his very life-blood freeze in the course of this calm narration. This was the one thing on which his thoughts turned most; that horrible, that appalling danger. So fearful was it to him that he envied Obed the privilege of having saved her. He longed to have been there in Obed's place, so as to have done this thing for her. He himself had once saved her from death, and that scene could never depart from his memory; but now it seemed to him at though the fate from which he had saved her was nothing when compared to the terror of that danger from which she had been snatched by Obed.

Yet, during Obed's narrative, although these feelings were within his heart, he said little or nothing. He listened with apparent calmness, offering no remark, though at that time the thoughts of his heart were so intense. In fact, it was through the very intensity of his feelings that he forced himself to keep silence. For if he had spoken he would have revealed all. If he had spoken he would have made known, even to the most careless or the most preoccupied listener, all the depth of that love which filled his whole being. Her very name to him was something which he could not mention without visible emotion. And she, in fearful peril, in terrific danger, in a situation so horrible, could not be spoken of by one to whom she was so dear and so precious.