Glamour, Celtic, [313]–15; [378]
‘Glittering Plain,’ [173]
God as beneficent Showman, [387]
Goethe, his critical system, Watts-Dunton’s treatise on Poetry compared to, [257]; his theory as to enigmatic nature of great works of art, [373], [394]; Gestaltung in art, [398]
‘Golden Hand, The,’ [73]
‘Gordon,’ Dr. G. Hake as, [91], [95]
Gordon, Lady Mary, Swinburne and Watts-Dunton’s visits to, [270]
Gorgios and Romanies, [389]
Gosse, Edmund, contributes to ‘Examiner,’ [184]; his study of Etheredge, [259]