Haggard, Rider, telepathy and dumb animals, [82]; Watts-Dunton’s influence on writings of, [415]
Haggis, the stabbing of, [193]
Hake, Gordon, [12]; ‘Aylwin,’ connection with, [90]; physician to Rossetti, [90]–91; his view of Rossetti’s melancholia and remorse—cock and bull stories about ill-treatment of his wife, [91]; physician to Lady Ripon, [90]; Borrow and Watts-Dunton introduced by, [95]; poems connected with Watts-Dunton, [92]; ‘The New Day’ (see that title)
Hake, Thomas St. E., author’s gratitude for assistance from, [10]; [11], [12]; ‘Notes and Queries,’ papers on ‘Aylwin’ by, [50]; J. O. Watts identified with Philip Aylwin by, [51], [56]; account of J. O. Watts by, [57]; A. E. Watts, description by, [88]; ‘Aylwin,’ genesis of, account by, [89]; account of his father’s relations with Rossetti, [90]–91; Hurstcote and Cheyne Walk, ‘green dining room,’ identified by, [161]; William Morris, facts concerning, given by, [171]
Hallam, Henry, [281]
‘Hamlet,’ [293]
Hammond, John, [40]–1
‘Hand and Soul,’ [172]