Minto, Prof., [10]; Watts-Dunton’s connection with ‘Examiner’ and, [184]–88, [256]; Watts-Dunton’s reminiscences of:—neighbours in Danes Inn; editing ‘Examiner’; secures Watts; first article appears; Bell Scott’s party; Scott wants to know name of new writer, [184]; Watts slates himself, [185]; Minto’s Monday evening symposia, [185]
Montaigne—value of leisure—quotation, [68]
Morley, John, [27]
Morris, Mrs., Rossetti’s picture painted from, [172]; reference to, [179], [180]
Morris, William, ‘Quarterly Review’ article on, [16]; ‘Chambers’s Cyclopædia,’ article on, [173]; ‘Odyssey,’ his translation of, [176]; Watts-Dunton’s criticism of poems by, [176]; intimacy with Watts-Dunton, [170]; Watts-Dunton’s monograph on, [170], [173]–77; indifference to criticism, [173]; anecdotes of, [179]–82; generosity of, [179]; death of, [178]–79; Watts-Dunton’s reminiscences of:—Marston mornings at Chalk Farm; ‘nosey Latin,’ [136]; Wednesday evenings at Danes Inn; Swinburne, Watts, Marston, Madox Brown and Morris, [170]; at Kelmscott, [170]; passion for angling, [171]; snoring of young owls, [171]; causeries at Kelmscott, [173]; the only reviews he read, [173]; the little carpetless room, [175]; writes 750 lines in twelve hours, [176]; the crib on his desk, [177]; offers to bring out an édition-de-luxe of Watts’s poems; gets subscribers; a magnificent royalty, [179]; presentation copies; extravagant generosity; ‘All right, old chap’; ‘Ned Jones and I,’ [180]; ‘Algernon pay £10 for a book of mine!’, [181]; disgusted with Stead, the music hall singer and dancer; ‘damned tomfoolery,’ [181]
Moulton, Louise Chandler, [4], [301]
Mounet-Sully, as François I in Le Roi s’Amuse, [125]
‘Much Ado about Nothing,’ [260]