Arnold, Matthew, ‘The Scholar Gypsy,’ Borrow’s criticism of, [108]; Rhona Boswell and, [114]; [157]
Artifice, [239]
Athenæum, [1]–4; editor of, [10]; seventieth birthday of, [210]–213; influence of, [452]; Watts-Dunton’s connection with, [6], [173], [188], [212]–27, [315], [418], [454]
Augustanism, [15], [16]; pyramid of, [23]
Austen, Jane, [367]
‘Australia’s Mother,’ [4]
‘Ave Atque Vale,’ [157]
Avon, River, Watts-Dunton’s love for, [31]
‘Aylwin,’ Renascence of Wonder exemplified in, [2]; popularity of, [7]; principles of romantic art expressed in, [8]; Justin McCarthy’s opinion of, [9]; ‘Renascence of Wonder,’ original title of, [11]; attempted identification of characters in, [50], [88]; ‘Veiled Queen,’ dominating influence of author, [56]; Cyril Aylwin, identification with A. E. Watts, [87]; genesis of, [89]; nervous phases in, [90]; D’Arcy, identification with Rossetti, [139], [140]–45; description of Rossetti in, [165]–169; landslip in, [270]; Welsh acceptation of, [312]–318; Snowdon ascent, [317]; ‘Encyc. Brit.’ on, [321]; naïveté in style of, [328]; youthfulness of, [328]; richness in style, [330]–38; Galimberti, Mme., criticism of, [338]; ‘Athenæum’ canons observed in, [338], [343]; begun in metre, [342]; critical analysis of, [345]–362; ‘softness of touch’ in portraiture, [351]; love-passion, [362]; Swinburne on, [363]; Meredith on, [364]; Groome on, [367]; novel of the two Bohemias, [368]; editions of, [368], [377]; enigmatic nature of, [373]; Dr. Nicoll on, [375]; Celtic element in, [378]; Jacottet on, [380]; two heroines of, [363]; spirituality of, [372], [375], [378], [380]; inner meaning of, [372]–81; heart-thought of contained in the ‘Veiled Queen,’ [374]; ‘Saturday Review’ on, [377]; motive of, [389], ‘Arvon’ edition, restoration of excised passages, [445]–50; modern Sufism of, [454]; quotations from, [330], [331], [333], [336]
Aylwin, Cyril, [168]