These peculiarities come out in the following letter of Diana Parker to her brother:—

‘My Dear Tom,—We were much grieved at your accident, and if you had not described yourself as having fallen into such very good hands, I should have been with you at all hazards the day after receipt of your letter, though it found me suffering under a more severe attack than usual of my old grievance, spasmodic bile, and hardly able to crawl from my bed to the sofa. But how were you treated? Send me more particulars in your next. If indeed a simple sprain, as you denominate it, nothing would have been so judicious as friction—friction by the hand alone, supposing it could be applied immediately. Two years ago I happened to be calling on Mrs. Sheldon, when her coachman sprained his foot, as he was cleaning the carriage, and could hardly limp into the house; but by the immediate use of friction alone, steadily persevered in (I rubbed his ancle with my own hands for four hours without intermission), he was well in three days. . . . Pray never run into peril again in looking for an apothecary on our account; for had you the most experienced man in his line settled at Sanditon, it would be no recommendation to us. We have entirely done with the whole medical tribe. We have consulted physician after physician in vain, till we are quite convinced that they can do nothing for us, and that we must trust to our knowledge of our own wretched constitutions for any relief; but if you think it advisable for the interests of the place to get a medical man there, I will undertake the commission with pleasure, and have no doubt of succeeding. I could soon put the necessary irons in the fire. As for getting to Sanditon myself, it is an impossibility. I grieve to say that I cannot attempt it, but my feelings tell me too plainly that in my present state the sea-air would probably be the death of me; and in truth I doubt whether Susan’s nerves would be equal to the effort. She has been suffering much from headache, and six leeches a day, for ten days together, relieved her so little that we thought it right to change our measures; and being convinced on examination that much of the evil lay in her gums, I persuaded her to attack the disorder there. She has accordingly had three teeth drawn, and is decidedly better; but her nerves are a good deal deranged, she can only speak in a whisper, and fainted away this morning on poor Arthur’s trying to suppress a cough.’

Within a week of the date of this letter, in spite of the impossibility of moving, and of the fatal effects to be apprehended from the sea-air, Diana Parker was at Sanditon with her sister. She had flattered herself that by her own indefatigable exertions, and by setting at work the agency of many friends, she had induced two large families to

take houses at Sanditon. It was to expedite these politic views that she came; and though she met with some disappointment of her expectation, yet she did not suffer in health.

Such were some of the dramatis personæ, ready dressed and prepared for their parts. They are at least original and unlike any that the author had produced before. The success of the piece must have depended on the skill with which these parts might be played; but few will be inclined to distrust the skill of one who had so often succeeded. If the author had lived to complete her work, it is probable that these personages might have grown into as mature an individuality of character, and have taken as permanent a place amongst our familiar acquaintance, as Mr. Bennet, or John Thorp, Mary Musgrove, or Aunt Norris herself.

CHAPTER XIV.

Postscript.

When first I was asked to put together a memoir of my aunt, I saw reasons for declining the attempt. It was not only that, having passed the three score years and ten usually allotted to man’s strength, and being unaccustomed to write for publication, I might well distrust my ability to complete the work, but that I also knew the extreme scantiness of the materials out of which it must be constructed. The grave closed over my aunt fifty-two years ago; and during that long period no idea of writing her life had been entertained by any of her family. Her nearest relatives, far from making provision for such a purpose, had actually destroyed many of the letters and papers by which it might have been facilitated. They were influenced, I believe, partly by an extreme dislike to publishing private details, and partly by never having assumed that the world would take so strong and abiding an interest in her works as to claim her name as public property. It was therefore necessary for me to draw upon recollections rather than on written documents for my materials; while the subject itself supplied me with nothing striking or prominent with which to

arrest the attention of the reader. It has been said that the happiest individuals, like nations during their happiest periods, have no history. In the case of my aunt, it was not only that her course of life was unvaried, but that her own disposition was remarkably calm and even. There was in her nothing eccentric or angular; no ruggedness of temper; no singularity of manner; none of the morbid sensibility or exaggeration of feeling, which not unfrequently accompanies great talents, to be worked up into a picture. Hers was a mind well balanced on a basis of good sense, sweetened by an affectionate heart, and regulated by fixed principles; so that she was to be distinguished from many other amiable and sensible women only by that peculiar genius which shines out clearly enough in her works, but of which a biographer can make little use. The motive which at last induced me to make the attempt is exactly expressed in the passage prefixed to these pages. I thought that I saw something to be done: knew of no one who could do it but myself, and so was driven to the enterprise. I am glad that I have been able to finish my work. As a family record it can scarcely fail to be interesting to those relatives who must ever set a high value on their connection with Jane Austen, and to them I especially dedicate it; but as I have been asked to do so, I also submit it to the censure of the public, with all its faults both of deficiency and redundancy. I know that its value

in their eyes must depend, not on any merits of its own, but on the degree of estimation in which my aunt’s works may still be held; and indeed I shall esteem it one of the strongest testimonies ever borne to her talents, if for her sake an interest can be taken in so poor a sketch as I have been able to draw.