His apprehensions were confirmed and relieved by the President, who exclaimed in a wickedly gentle voice, "I'm very sorry, but I suppose you must give him a dozen." The maniac examiners were quite capable, he had felt convinced, of beating him to death, and a dozen? Why, a dozen was about the extent of the good old pedagogic punishments, which he had endured stolidly in his time, and many of them.
A new question surged through his mind. What was the brawny guard about to aim at? Was the supreme indignity to be conferred upon him before all these pompous personages to emphasize his unfitness for dignity? Norman hoped so, for to tell the truth, he didn't care a damn about the dignity, but he thought it would hurt less and was more used to it. Meantime he had never felt so cold, and the rough cloth of the guard who was holding his wrists so tightly grated unpleasantly against his naked chest.
His dignity was not damaged. His shoulders were. He discovered his old pedagogue to have been the mildest and most inefficient flagellator in the world. Let us leave him to his punishment and philosophize a little.
Philosophy and the whip? Is there not always some subtle connexion? Has not a whipping always meant for us something more than a whipping? Is it not a symbol? Think of this, youthful reader, if you are still in the happy days of subjection and possibility, and may it comfort you in the hour of trial. The Spartans formed their character, the Romans ruled the world, with whippings. With little whips the Kings of Egypt made the Jews work with their hands—honest manual toil, to which that race no longer much inclines; he built his pyramid and flogged a great nation into life. But the East, the golden East in the golden days—that was the world for whippings. In other climes and other times, whipping has been a symbol of degradation; in murderous Russia it has been, they say it is, something too foul for the philosopher to look at. But when there were Caliphs in Bagdad, then whipping was the joyous symbol of democracy. Are you rich and powerful, the Caliph's friend? Tread delicately on those rich carpets: the day comes when to put foot to the finest Bokhara may be a torment to make you howl. Are you a poor pedlar selling glasses from a tray? Repine not at your barefoot treading of the cobbled lanes: it is all practice for the soles; you shall fare better than your proud neighbour on the day of affliction. Quick! Bow your head: put your hands in the sleeves of your tattered abba. The great Vizier is coming, the Window of Heaven, the Tulip of the Garden of Government, the Sun's Moon, the Vizier. And behind him, O Allah! the blazing luminary of the universe itself! Where shall you hide from those dazzling rays? The Caliph comes. Some insolent retainer has kicked over all your glasses. Your little fortune has gone. No longer will you cry:
"O sunset, O sunrise, O ocean drops my glasses,
O emeralds, O rubies, O sapphires, O my glasses!"
Your wife will curse you, your children will starve; your dreams of a little ease are shattered with the shining crystals; your fortune lies with them prostrate in the dirt. You crouch in the doorway. But ho! what is that? The Vizier's horse has shied, he is kicking, he has kicked the Sun of the Universe off his saddle. All that splendour is smirching the bashful mud! Forgetting yourself, you rush to help him; your dirty, horny fingers pick up Perfection, careless of sacrilege. You wait and tremble, for Perfection is himself again. The Vizier is pale. The Monarch gives a sign to the blackest of his black negroes. Down comes the Tulip of the Garden of Government. The Vizierial beard is in the dirt; the Sun's Moon's feet are all in air and looped into a pole: the blows fall, the Tulip howls—and you? The Caliph has embraced you and made you Vizier on the spot. Such is a whipping in the East.
So much, then, for whipping from the point of view of historical geography. It has other aspects—too vast for mention here. The individual aspect, or the whippings inflicted on the famous, on Psyche by Venus, on Aristotle by Phyllis, on St Paul by the Romans, on-Henry Plantagenet by the monks, on Milton by his College, on Voltaire by a lackey, on Shelley by a schoolmaster. We read of the latter that he writhed on the floor not because he was hurt but out of shame. Ethereal Shelley!
Or take the literary aspect. Take the heroes of famous books—what whacks and thwacks they encounter, especially in all books that are an epitome of world life. From Apuleius to Don Quixote, from Gil Blas to Tom Jones, from Candide to Richard Feverel, there is no great book without its whipping.
And there are those who say children should not be whipped! They are right, dear youthful reader, they are entirely right. It is we who should be whipped, we adults, we pompous people, we who are so ready to torture the young and who have quite forgotten the bitterness of the torture we inflict. It is we who should be whipped, we who dread the dentist, we whose waistcoats bulge and blossom into gold watch chains. And criminals? O we flog them still, but only the poor, violent, rough fellow who does a bit of straightforward business. It is that fat financier whose juicy back I want to see streaked with red like a rasher of bacon; it is that ape-like vestryman whose yells would be music to my ears; it is, above all, the proprietor of pills that I would strap down to his alliterative and appropriate post, the pillory.
None of the above reflections occurred to Norman. His literary knowledge did not help him. He seemed to have spent whole years being whipped. He felt as if his lungs would burst. But the executioner laid on steadily and evenly, till the victim's back looked like a sheet of music paper. Then he was abruptly let down and writhed for half a minute with rapidly decreasing pain. And about this let the philosopher say one word more. Whipping is not strictly torture. It does not deform. It leaves no ill effects. And therefore many a parent who would shudder to use rack or thumb-screw to our children, think nothing of whipping them. But it need not hurt much less.