The water gurgled; an arm was visible in the air, and it disappeared. The gondola drove upon the spot where the limb had just been visible, and a backward stroke, that caused the ashen blade to bend like a reed, laid the trembling boat motionless. The furious action threw the Lagune into ebullition, but, when the foam subsided, it lay calm as the blue and peaceful vault it reflected.
"Antonio!"—burst from the lips of the Bravo.
A frightful silence succeeded the call. There was neither answer nor human form. Jacopo compressed the handle of his oar with fingers of iron, and his own breathing caused him to start. On every side he bent a frenzied eye, and on every side he beheld the profound repose of that treacherous element which is so terrible in its wrath. Like the human heart, it seemed to sympathize with the tranquil beauty of the midnight view; but, like the human heart, it kept its own fearful secrets.
Chapter XVI.
"Yet a few days and dream-perturbed nights,
And I shall slumber well—but where?—no matter.
Adieu, my Angiolina."MARINO FALIERO
When the Carmelite re-entered the apartment of Donna Violetta his face was covered with the hue of death, and his limbs with difficulty supported him to a chair. He scarcely observed that Don Camillo Monforte was still present, nor did he note the brightness and joy which glowed in the eyes of the ardent Violetta. Indeed his appearance was at first unseen by the happy lovers, for the Lord of St. Agata had succeeded in wresting the secret from the breast of his mistress, if that may be called a secret which Italian character had scarcely struggled to retain, and he had crossed the room before even the more tranquil look of the Donna Florinda rested on his person.
"Thou art ill!" exclaimed the governess. "Father Anselmo hath not been absent without grave cause!"
The monk threw back his cowl for air, and the act discovered the deadly paleness of his features. But his eye, charged with a meaning of horror, rolled over the faces of those who drew around him, as if he struggled with memory to recall their persons.
"Ferdinando! Father Anselmo!" cried the Donna Florinda, correcting the unbidden familiarity, though she could not command the anxiety of her rebel features; "Speak to us—thou art suffering!"