285. Chapel at Babouda. Scale 50 ft. to 1 in.

Externally, too, the style was becoming independent of classical models, though hardly in the same degree. The porches of the churches were generally formed in two storeys, the lower having a large central arch of admission, the upper consisting of a colonnade which partially hid, while it supported, an open screen of windows that admitted a flood of light into the nave just in the position where it was most effective. Without glass or mullions such a range of windows must have appeared weak, and would have admitted rain; but when sheltered by a screen of pillars, it was both convenient and artistic.

286. Elevation of Chapel at Babouda. (From De Vogüé.)

This mode of lighting is better illustrated at Babouda, where it is employed in its simplest form. No light is admitted to the chapel except through one great semicircular window over the entrance, and this is protected externally by a screen of columns. This mode of introducing light, as we shall afterwards see, was common in India at this age, and earlier, all the Chaitya caves being lighted in the same manner; and for artistic effect it is equal, if not superior, to any other which has yet been invented. The light is high, and behind the worshipper, and thrown direct on the altar, or principal part of the church. In very large buildings it could hardly be applied, but for smaller ones it is singularly effective.

The external effect of these buildings though not so original as the interior, is still very far removed from the classical type, and presents a variety of outline and detail very different from the simplicity of a Pagan temple. One of the most complete is that at Tourmanin (Woodcut No. [287]), though that at Qalb Louzeh is nearly as perfect, but simpler in detail. For a church of the 6th century it is wonderful how many elements of later buildings it suggests; even the western towers seem to be indicated, and, except the four columns of the gallery, there is very little to recall the style out of which it arose.

287. Façade of Church at Tourmanin. (From De Vogüé.)

There are considerable remains of a wooden-roofed basilica at Pergamus, which may be even older than those just described; but having been built in brick, and only faced with stone—the whole of which is gone—it is difficult to feel sure of the character of its details and mouldings. It had galleries on either side of the nave, but how these were supported or framed is not clear. It may have been by wooden posts or marble pillars, and these would have either decayed or been removed. The two square calcidica or vestries, which in the Syrian churches terminate the side-aisles, are here placed externally like transepts, and beyond them are two circular buildings with domical roofs and square apses. What their use was is, however, doubtful. In fact, we know so little of the architecture of that age in Asia Minor that this building stands quite exceptionally; and very little use can be made of it, either as throwing light on other buildings, or as receiving illustration from their peculiarities. But seeing how much has been effected in this direction of late, we may fully hope that this state of isolation will not long remain.