If Ethnology may thus be so largely indebted to Archæology, the converse is also true; and she may pay back the debt with interest. As Archæology and Architecture have hitherto been studied, they, but more especially the latter, have been little more than a dry record of facts and measurements, interesting to the antiquary, to the professional architect, or to the tourist, who finds it necessary to get up a certain amount of knowledge on the subject; but the utmost that has hitherto been sought to be attained is a certain knowledge of the forms of the art, while the study of it, as that of one of the most important and most instructive of the sciences connected with the history of man, has been as a rule neglected.
Without this the study of Architecture is a mere record of bricks and stones, and of the modes in which they were heaped together for man’s use. Considered in the light of an historical record, it acquires not only the dignity of a science, but especial interest as being one of those sciences which are most closely connected with man’s interests and feelings, and the one which more distinctly expresses and more clearly records what man did and felt in previous ages, than any other study we are acquainted with.
From this point of view, not only every tomb and every temple, but even the rude monoliths and mounds of savages, acquire a dignity and interest to which they have otherwise no title; and man’s works become not only man’s most imperishable record, but one of the best means we possess of studying his history, or of understanding his nature or his aspirations.
Rightly understood, Archæology is as useful as any other branch of science or of art, in enabling us to catch such glimpses as are vouchsafed to man of the great laws that govern all things; and the knowledge that this class of man’s works is guided and governed by those very laws, and not by the chance efforts of unmeaning minds, elevates the study of it to as high a position as that of any other branch of human knowledge.
HISTORY OF ARCHITECTURE.
PART I.—ANCIENT ARCHITECTURE.
INTRODUCTORY.
So long as the geographer confines himself to mapping out the different countries of the world, or smaller portions of the earth’s surface, he finds no difficulty in making a projection which shall correctly represent the exact relative position of all the various features of the land or sea. But when he attempts to portray a continent, some distortion necessarily results; and when he undertakes a hemisphere, both distortion and exaggeration become inevitable. It has consequently been found necessary to resort to some conventional means of portraying the larger surfaces of the globe. These avowedly do not represent correctly the forms of the countries portrayed, but they enable the geographer to ascertain what their distances or relative positions are by the application of certain rules and formulæ of no great complexity.
The same thing is true of history. So long as the narrative is confined to individual countries or provinces, it may be perfectly consecutive and uninterrupted; but when two or three nations are grouped together, frequent interruptions and recapitulations become necessary; and when universal history is attempted, it seems impossible to arrange the narrative so as to prevent these from assuming very considerable importance. The utmost that can be done is to devise some scheme which shall prevent the repetition from leading to tediousness, and enable the student to follow the thread of any portion of the narrative without confusion or the assumption of any special previous knowledge on his part.