27. Pillar, from Sedinga.
At Sedinga, not far below the third cataract, are the remains of temples erected by Amenhotep III. of the 18th dynasty, which are interesting as introducing in a completed form a class of pillar that afterwards became a great favourite with Egyptian architects (Woodcut No. [27]). Before this time we find these Isis heads either painted or carved on the face of square piers, but so as not to interfere with the lines of the pillars. Gradually they became more important, so as to form a double capital, as in this instance. In the Roman times, as at Denderah (Woodcut No. [41], p. [143]), all the four faces of the pier were so adorned, though it must be admitted in very questionable taste.
It would be tedious to attempt to enumerate without illustrating all the fragments that remain of temples of this age. Some are so ruined that it is difficult to make out their plan. Others, like those of Memphis or Tanis, so entirely destroyed, that only their site, or at most only their leading dimensions, can be made out. Their loss is of course to be regretted; but those enumerated above are sufficient to enable us to judge both of the style and the magnificence of the great building epoch.
28. Smaller Temple at Abydus.
29. Plan of Temple of Abydus.
At Abydus the remains of two great temples have been found; one of Rameses II., with great court surrounded by piers with osireide figures on them; two halls of columns, a sanctuary, and other small chambers in the rear. The other, completed only and decorated with sculpture by Rameses II., the temple having been built by his father, Sethi I. This second temple differs in the arrangement of its plan from other examples (Woodcut No. [29]); it was preceded by two great courts; at the further end of the second court was a peristyle with twelve piers, from which, through three doors, a hall of twenty-four columns was reached; the columns here were so arranged as to suggest seven avenues, beyond which were seven doors leading to a second hall with thirty-six columns, similarly disposed to those in the first hall. These avenues led to seven sanctuaries, the roofs of which were segmental, the arched form of vault being cut out of solid blocks of stone (Woodcut No. [29A]). Beyond the sepulchral destination, which roofs of these sanctuaries suggest, nothing is known from inscriptions as to their precise use. Through one of the sanctuaries other halls of columns and chambers were reached which lie in the rear of the building, and on the south side, and approached from the second great hall of columns, many other halls, chambers, and staircases leading to the roof. The special interest to the Egyptologist, however, of this temple lies in the fact that it was on the walls of one of these that the so-called tablet of Abydus was discovered—now in the British Museum—which first gave a connected list of kings, the predecessors of Rameses, and sufficiently extensive to confirm the lists of Manetho in a manner satisfactory to the ordinary inquirer. A second list, far more complete, has recently been brought to light in the same locality, and contains the names of 76 kings, ancestors of Meneptah, the father of Rameses. It begins, as all lists do, with Menes; but even this list is only a selection, omitting many names found in Manetho, but inserting others which are not in his lists.[[57]] Before the discovery of this perfect list, the longest known were that of the chamber of the ancestors of Thothmes III., at Karnac, containing when perfect 61 names, of which, however, nearly one-third are obliterated; and that recently found at Saccara, containing 58 names originally, but of which several are now illegible.
It is the existence of these lists which gives such interest and such reality to the study of Architecture in Egypt. Fortunately there is hardly a building in that country which is not adorned with the name of the king in whose reign it was erected. In royal buildings they are found on every wall and every pillar. The older cartouches are simple and easily remembered; and when we find the buildings thus dated by the builders themselves, and their succession recorded by subsequent kings on the walls of their temples, we feel perfectly certain of our sequence, and nearly so of the actual dates of the buildings; they are, moreover, such a series as no other country in the world can match either for historic interest or Architectural magnificence.