The other illustration represents in the Egyptians’ own quaint style a three-storeyed dwelling, the upper storey apparently being, like those of the Assyrians, an open gallery supported by dwarf columns. The lower windows are closed by shutters. In the centre is a staircase leading to the upper storey, and on the left hand an awning supported on wooden pillars, which seems to have been an indispensable part of all the better class of dwellings. Generally speaking, these houses are shown as situated in gardens laid out in a quaint, formal style, with pavilions, and fishponds, and all the other accompaniments of gardens in the East at the present day.
36. Elevation of a House. From an Egyptian Painting.
In all the conveniences and elegances of building they seem to have anticipated all that has been done in those countries down to the present day. Indeed, in all probability the ancient Egyptians surpassed the modern in those respects as much as they did in the more important forms of architecture.
CHAPTER V
GREEK AND ROMAN PERIOD.
CONTENTS.
Decline of art—Temples at Denderah—Kalábsheh—Philæ.
The third stage of Egyptian art is as exceptional as the two which preceded it, and as unlike anything else which has occurred in any other lands.
From the time of the 19th dynasty, with a slight revival under the Bubastite kings of the 22nd dynasty, Egypt sank through a long period of decay, till her misfortunes were consummated by the invasion of the Persians under Cambyses, 525 B.C. From that time she served in a bondage more destructive, if not so galling, as that of the Shepherd domination, till relieved by the more enlightened policy of the Ptolemys. Under them she enjoyed as great material prosperity as under her own Pharaohs; and her architecture and her arts too revived, not, it is true, with the greatness or the purity of the great national era, but still with much richness and material splendour.
This was continued under the Roman domination, and, judging from what we find in other countries, we would naturally expect to find traces of the influence of Greek and Roman art in the buildings of this age. So little, however, is this the case, that before the discovery of the reading of the hieroglyphic signs, the learned of Europe placed the Ptolemaic and Roman temples of Denderah and Kalábsheh before those of Thebes in order of date; and could not detect a single moulding in the architectural details, nor a single feature in the sculpture and painting which adorned their walls, which gave them a hint of the truth. Even Cleopatra the beautiful is represented on these walls with distinctly Egyptian features, and in the same tight garments and conventional forms as were used in the portrait of Nophre Ari, Queen of Rameses, or in those of the wives of the possessors of tombs in the age of the pyramids, 3000 years before. Egypt in fact conquered her conquerors, and forced them to adopt her customs and her arts, and to follow in the groove she had so long marked out for herself, and followed with such strange pertinacity.