Strange as it may at first sight appear, we know less of the manners and customs of the Egyptian people during the Greek and Roman domination, than we do of them during the earlier dynasties. All the buildings erected after the time of Alexander which have come down to our time are essentially temples. Nothing that can be called a palace or pavilion has survived, and no tombs, except some of Roman date at Alexandria, are known to exist. We have consequently no pictures of gardens, with their villas and fish-ponds; no farms, with their cattle; no farmyards, with their geese and ducks; no ploughing or sowing; no representations of the mechanical arts; no dancing or amusements; no arms or campaigns. Nothing, in short, but worship in its most material and least intellectual form.
43. Section of Temple at Kalábsheh. 50 ft. to 1 in.
It is a curious inversion of the usually received dogmata on this subject, but as we read the history of Egypt as written on her monuments, we find her first wholly occupied with the arts of peace, agricultural and industrious, avoiding war and priestcraft, and eminently practical in all her undertakings. In the middle period we find her half political, half religious; sunk from her early happy position to a state of affairs such as existed in Europe in the Middle Ages. In her third and last stage we find her fallen under the absolute influence of the most degrading superstition. We know from her masters that she had no political freedom and no external influence at this time; but we hardly expected to find her sinking deeper and deeper into superstition, at a time when the world was advancing forward with such rapid strides in the march of civilisation, as was the case between the ages of Alexander and that of Constantine. It probably was in consequence of this retrograde course that her civilisation perished so absolutely and entirely under the influence of the rising star of Christianity; and that, long before the Arab conquest, not a trace of it was left in any form. What had stood the vicissitudes of 3000 years, and was complete and stable under Hadrian, had vanished when Constantine ascended the throne.
44. View of Temple at Philæ.
45. Plan of Temple at Philæ. Scale 100 ft. to 1 in.
If, however, their civilisation passed so suddenly away, their buildings remain to the present day; and taken altogether, we may perhaps safely assert that the Egyptians were the most essentially a building people of all those we are acquainted with, and the most generally successful in all they attempted in this way. The Greeks, it is true, surpassed them in refinement and beauty of detail, and in the class of sculpture with which they ornamented their buildings, while the Gothic architects far excelled them in constructive cleverness; but with these exceptions no other styles can be put in competition with them. At the same time, neither Grecian nor Gothic architects understood more perfectly all the gradations of art, and the exact character that should be given to every form and every detail. Whether it was the plain flat-sided pyramid, the crowded and massive hypostyle hall, the playful pavilion, or the luxurious dwelling—in all these the Egyptians understood perfectly both how to make the general design express exactly what was wanted, and to make every detail, and all the various materials, contribute to the general effect. They understood, also, better than any other nation, how to use sculpture in combination with architecture, and to make their colossi and avenues of sphinxes group themselves into parts of one great design, and at the same time to use historical paintings, fading by insensible degrees into hieroglyphics on the one hand, and into sculpture on the other—linking the whole together with the highest class of phonetic utterance. With the most brilliant colouring, they thus harmonised all these arts into one great whole, unsurpassed by anything the world has seen during the thirty centuries of struggle and aspiration that have elapsed since the brilliant days of the great kingdom of the Pharaohs.